{"id":7396,"date":"2013-06-15T16:35:33","date_gmt":"2013-06-15T20:35:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=7396"},"modified":"2013-06-17T10:40:59","modified_gmt":"2013-06-17T14:40:59","slug":"cold-turkeys-dissident-portfolio-artauds-hammer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/06\/cold-turkeys-dissident-portfolio-artauds-hammer.html","title":{"rendered":"
‘Artaud’s Hammer’: A Dissident Portfolio Begins<\/center>"},"content":{"rendered":"

\"'Artaud's<\/a>


<\/p><\/div>

\"'Artaud's<\/a>


‘Artaud’s Hammer,’ a portfolio \u00a9 by Gerard Bellaart [Cold Turkey Press]<\/p><\/div><\/p>\n

It\u2019s weird that the cloaca of Central Europe is also the mouth of English literature. May Rotterdam be blessed by every English tongue in all the cloisters of the English-speaking world. — Sinclair Beiles<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

It\u2019s weird that the cloaca of Central Europe is also the mouth of English literature. May Rotterdam be blessed by every English tongue in all the cloisters of the English-speaking world. — Sinclair Beiles<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18],"tags":[],"class_list":{"0":"post-7396","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-literature","8":"entry","9":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1Vi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/7396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=7396"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/7396\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=7396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=7396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=7396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}