{"id":734,"date":"2004-06-01T10:04:36","date_gmt":"2004-06-01T17:04:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/06\/the_mea_culpa_verdict\/"},"modified":"2004-06-01T10:04:36","modified_gmt":"2004-06-01T17:04:36","slug":"the_mea_culpa_verdict","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/06\/the_mea_culpa_verdict.html","title":{"rendered":"THE MEA CULPA VERDICT"},"content":{"rendered":"<p><P>Now that Daniel Okrent, the public editor of The New York Times, has given us his opinion<br \/>\nabout the Times&#8217; <A class=inline\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20040501.shtml#79385\"\ntarget='new\"'><B><EM><FONT color=#003399>mea culpa<\/FONT><\/EM><\/B><\/A>, what&#8217;s<br \/>\nthe verdict? <A class=inline\nhref=\"http:\/\/www.nytimes.com\/2004\/05\/30\/weekinreview\/30bott.html\"\ntarget='new\"'><B><EM><FONT color=#003399>Okrent writes<\/FONT><\/EM><\/B><\/A>, &#8220;I<br \/>\nthink they got it right. Mostly.&#8221; He blames the paper in general for hyping its dead-wrong reports<br \/>\nthat Iraq was hiding weapons of mass destruction during the run-up to the war and for not<br \/>\nadequately correcting them, either by allowing the mistakes to stand or by failing to give equally<br \/>\nconspicuous play to the corrections.<\/P><br \/>\n<P>&#8220;The failure was not individual, but institutional,&#8221; Okrent maintains. &#8220;When I say the editors<br \/>\ngot it &#8216;mostly&#8217; right in their note this week, the qualifier arises from their inadequate explanation of<br \/>\nthe journalistic imperatives and practices that led The Times down this unfortunate path.&#8221; He cites<br \/>\n&#8220;The Hunger for Scoops,&#8221; &#8220;Front-Page Syndrome&#8221; and &#8220;Hit-and-Run Journalism.&#8221;<\/P><br \/>\n<P>Los Angeles Times media columnist <A class=inline\nhref=\"http:\/\/www.latimes.com\/news\/custom\/showcase\/cl-et-rutten29may29.column\"\ntarget='new\"'><B><EM><FONT color=#003399>Tim Rutten writes<\/FONT><\/EM><\/B><\/A><br \/>\nof the <A class=inline\nhref=\"http:\/\/nytimes.com\/ref\/international\/middleeast\/20040526CRITIQUE.html\"\ntarget='new\"'><B><EM><FONT color=#003399>NYT Editors&#8217; Note<\/FONT><\/EM><\/B><\/A><br \/>\nthat &#8220;the Times&#8217; explanation looks like a leaky lifeboat launched in the teeth of a gathering<br \/>\nstorm.&#8221;<\/P><br \/>\n<P>The Straight Up verdict, courtesy of our friend William Osborne, offers another take.<br \/>\nOsborne&#8217;s analysis is so cogent and well expressed that it&#8217;s better than anything we&#8217;ve read on the<br \/>\nsubject: &#8220;They were surely aware of the falseness, but they were just counting on a victor&#8217;s justice<br \/>\nand a victor&#8217;s writing of history.&#8221; <\/P><br \/>\n<P>Osborne&#8217;s comment in full:<\/P><br \/>\n<BLOCKQUOTE>The NYT&#8217;s claim that they didn&#8217;t see the hype during the build up to the war is<br \/>\nso fatuous it boggles the mind. Every other country in the world saw the truth except,<br \/>\npresumably, America. So we&#8217;re supposed to think the newsroom&nbsp;of America&#8217;s best paper is<br \/>\nso completely unaware and incompetent? Isn&#8217;t that a newsroom filled with people from the best<br \/>\nuniversities? They were surely aware of the falseness, but they were just counting on a victor&#8217;s<br \/>\njustice and a victor&#8217;s writing of history. Now that the thing has turned into a debacle they have to<br \/>\ncreate a mea culpa in order to keep up the illusion of credibility. After all, the corporate interest<br \/>\nmust be maintained. This takes the sort of propagandistic juggling that indeed requires our very<br \/>\nbest journalists.<\/BLOCKQUOTE><br \/>\n<P>Cynical?&nbsp;Some may think so, but we don&#8217;t. Skeptical? Absolutely.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now that Daniel Okrent, the public editor of The New York Times, has given us his opinion about the Times&#8217; mea culpa, what&#8217;s the verdict? Okrent writes, &#8220;I think they got it right. Mostly.&#8221; He blames the paper in general for hyping its dead-wrong reports that Iraq was hiding weapons of mass destruction during the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-734","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-bQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/734\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}