{"id":73060,"date":"2026-03-20T09:55:34","date_gmt":"2026-03-20T13:55:34","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=73060"},"modified":"2026-03-22T13:40:21","modified_gmt":"2026-03-22T17:40:21","slug":"unmasked-its-banksys-world-but-not-officially","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2026\/03\/unmasked-its-banksys-world-but-not-officially.html","title":{"rendered":"Unmasked<\/font><\/em>
It’s Banksy’s World . . . But Not Officially<\/strong>"},"content":{"rendered":"\n

Now that we know the famously anonymous artist is a 52-year-old Briton, Robin Gunningham by name,
so what? <\/a><\/em><\/p>\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n
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There are 100 reproductions of Banksy’s artwork on view: video installations, graffiti, canvases, projections, and murals.<\/a><\/strong><\/em><\/font><\/figcaption><\/figure>\n<\/div>\n\n
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Click for details.<\/em><\/a><\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

The museum in Lisbon, Portugal, showcases 100 reproductions of Banksy’s artwork through video, installations, graffiti, canvases, projections, and murals.<\/strong><\/p>\n","protected":false},"author":3,"featured_media":73058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,23,17],"tags":[],"class_list":{"0":"post-73060","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-media","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2026\/03\/banksy-bdr750-1.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-j0o","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/73060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=73060"}],"version-history":[{"count":10,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/73060\/revisions"}],"predecessor-version":[{"id":73137,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/73060\/revisions\/73137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/73058"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=73060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=73060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=73060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}