{"id":729,"date":"2004-06-07T11:41:34","date_gmt":"2004-06-07T18:41:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/06\/saint_ronald\/"},"modified":"2004-06-07T11:41:34","modified_gmt":"2004-06-07T18:41:34","slug":"saint_ronald","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/06\/saint_ronald.html","title":{"rendered":"SAINT RONALD"},"content":{"rendered":"<p><P>What&#8217;s next? Saint Ronald? Everybody, including <A class=INLINE\nhref=\"http:\/\/www.nytimes.com\/2004\/06\/07\/opinion\/07GORB.html\"\ntarget='NEW\"'><B><EM><FONT color=#003399>Mikhail Gorbachev this<br \/>\nmorning<\/FONT><\/EM><\/B><\/A>, is recalling just how wonderful the 40th U.S. president was.<br \/>\n&#8220;I think he understood that it is the peacemakers, above all, who earn a place in history,&#8221;<br \/>\nGorbachev writes, in a bow not to the Great Communicator so much as the Friendly<br \/>\nPersuader.<\/P><br \/>\n<P>In the <A class=inline href=\"http:\/\/www.nytimes.com\/2004\/06\/06\/obituaries\/06REAG.html\"\ntarget='new\"'><B><EM><FONT color=#003399>Sunday<br \/>\nobituary-cum-eulogy<\/FONT><\/EM><\/B><\/A> announcing Reagan&#8217;s death that began on the<br \/>\nfront page of The New York Times and covered two full pages inside, Marilyn Berger wrote: &#8220;He<br \/>\nmanaged to project the optimism of Franklin D. Roosevelt, the faith in small-town America of<br \/>\nDwight D. Eisenhower and the vigor of John F. Kennedy.&#8221;<\/P><br \/>\n<P>As a small corrective, it&#8217;s worth remembering during what appears to be Reagan&#8217;s secular<br \/>\ncanonization that in his Red-baiting years in Hollywood as president of the Screen Actors<br \/>\nGuild&nbsp;he cheerfully helped ruin many lives and that at the heart of the greatest achievement<br \/>\nof his presidency lies a deeply sanctimonious hypocrisy. <\/P><br \/>\n<P>Consider this small anecdote about Reagan, Gorbachev and the movie <A class=inline\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00004XMV9\/qid%3D1086622510\/sr%3D11\n-1\/ref%3Dsr%5F11%5F1\/104-6443683-4579168\" target='new\"'><STRONG><EM><FONT\ncolor=#003399>&#8220;Friendly Persuasion,&#8221;<\/FONT><\/EM><\/STRONG><\/A> which starred Gary<br \/>\nCooper as a pacifist during the Civil War and his moral quandary when confronted by violence. In<br \/>\n1957 the movie won the Palme d&#8217;Or, the top prize at the Cannes Film Festival. As I wrote in <A\nclass=INLINE\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/030680798X\/qid=1086622624\/sr=1-1\/ref=\nsr_1_1\/104-6443683-4579168?v=glance&#038;s=books\" target='NEW\"'><B><EM><FONT\ncolor=#3300cc>&#8220;A Talent for Trouble,&#8221;<\/FONT><\/EM><\/B><\/A> &#8220;at the request of the Soviet<br \/>\nUnion, and with the approval of the U.S. State Department,&#8221; William Wyler, who directed the<br \/>\nmovie, &#8220;took it to Moscow in 1960, where he showed it as a symbolic antidote to the Cold War,&#8221;<br \/>\nwhich was then at its height. In the 1980s, with the beginning of <I>glasnost<\/I>, <\/P><br \/>\n<P><br \/>\n<BLOCKQUOTE>President Ronald Reagan &#8212; whose conservative politics Wyler loathed &#8212; took<br \/>\na videocassette of &#8220;Friendly Persuasion&#8221; to Moscow. During a state dinner, he presented it as a<br \/>\npersonal gift to Soviet premier Gorbachev, devoting a large portion of his toast to the meaning of<br \/>\nthe film and why he had chosen it.<br \/>\n<P><\/P><br \/>\n<P>&#8220;The film has sweep and majesty and pathos,&#8221; the president said. &#8220;It shows not just the<br \/>\ntragedy of war, but the problems of pacifism, the nobility of patriotism, as well as the love of<br \/>\npeace.&#8221;<\/P><br \/>\n<P>When The New York Times printed the text of Reagan&#8217;s remarks, it occasioned a ripple of<br \/>\nremembrance from Michael Wilson&#8217;s supporters. [Wilson had done an early draft of the screen<br \/>\nadaptation and was later blacklisted after taking the 5th in Congressional testimony as to whether<br \/>\nhe&#8217;d been a member of the Communist Party.] Letters to the Times pointed out the irony that a<br \/>\nmovie written by a so-called &#8220;Commie&#8221; was now embraced by a saber-rattling right-wing<br \/>\npresident who had made a career of demonizing people like Wilson.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P><\/P><br \/>\n<P>In the thousands upon thousands of words of the Marilyn Berger obituary-cum-eulogy that<br \/>\nappeared Sunday in the print edition of The New York Times, there is no mention &#8212; not even a<br \/>\nhint &#8212; of that less-than-honorable part of Reagan&#8217;s history. And you won&#8217;t find it&nbsp;in the<br \/>\nTimes&#8217;s <A class=inline href=\"http:\/\/www.nytimes.com\/ref\/politics\/REAGAN_OBIT.html\"\ntarget='new\"'><B><EM><FONT color=#003399>Ronald W. Reagan: An<br \/>\nArchive<\/FONT><\/EM><\/B><\/A>&nbsp;either. But for the fact that it <I>does<\/I> appear in<br \/>\nthe online version of Berger&#8217;s obituary-cum-eulogy, it&#8217;s as if the newspaper of record chose to<br \/>\nairbrush that disturbing element of the Reagan image.<\/P><br \/>\n<P>Here&#8217;s the relevant passage of what Berger actually wrote, which was not included in print<br \/>\n(until this morning in a different, shorter&nbsp;version of the Sunday obit): <\/P><br \/>\n<BLOCKQUOTE>When he was called before the House Un-American Activities Committee in<br \/>\n1947 to testify about Communist influence in the movie industry, Mr. Reagan refused to name<br \/>\nnames before the committee. But the historian Garry Wills said the Federal Bureau of<br \/>\nInvestigation file on Mr. Reagan that was later released disclosed that he had named people in<br \/>\nsecret.<br \/>\n<P>In those years Mr. Reagan was a Democrat and, as he later put it in his autobiography, &#8220;a<br \/>\nnear-hopeless hemophiliac liberal.&#8221; In 1950 he actively supported Helen Gahagan Douglas, the<br \/>\nliberal Democrat who was defeated by Richard M. Nixon in a California senatorial campaign that<br \/>\nbecame a portent of an era of Red-baiting. <\/P><br \/>\n<P>But behind the scenes, as president of the guild, he worked closely with the Motion Picture<br \/>\nIndustry Council to weed out Communist influence in Hollywood.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Duplicity, thy name is Saint Ronald.<\/P><br \/>\n<P><B>Postscript:<\/B> This morning&#8217;s edition of <A class=inline\nhref=\"http:\/\/www.democracynow.org\/article.pl?sid=04\/06\/07\/1443218\"\ntarget='new\"'><B><EM><FONT color=#003399>Democracy Now!<\/FONT><\/EM><\/B><\/A><br \/>\noffers a different take on Reagan&#8217;s presidency from most of the mainstream media&#8217;s. (Click on the<br \/>\nlink above and then click on &#8220;Watch 256k stream&#8221; to watch or listen.)<\/P><br \/>\n<P>Joining Amy Goodman, the host of the program, are the dissident author M.I.T professor<br \/>\nNoam Chomsky and the anti-nuclear activist Dr. Helen Caldicott, president of the Nuclear Policy<br \/>\nResearch Institute and founder of Physicians For Social Responsibility. (She met with Reagan<br \/>\nduring the&nbsp;1980s and called him &#8220;the pied piper of Armageddon,&#8221; but nonetheless credits<br \/>\nhim for curbing the nuclear arms race.)<\/P><br \/>\n<P>Goodman also speaks with Robert Parry, an investigative journalist whose reporting led to<br \/>\nthe exposure of what is now known as the &#8220;Iran-Contra&#8221; scandal. On his <A class=inline\nhref=\"http:\/\/consortiumnews.com\/\" target='new\"'><B><EM><FONT\ncolor=#003399>Consortium News<\/FONT><\/EM><\/B><\/A> Website, Parry has a written<br \/>\nassessment, <A class=inline href=\"http:\/\/consortiumnews.com\/2004\/060704.html\"\ntarget='new\"'><B><EM><FONT color=#003399>&#8220;Rating Reagan: A Bogus<br \/>\nLegacy,&#8221;<\/FONT><\/EM><\/B><\/A>&nbsp;which begins: &#8220;The U.S. news media&#8217;s reaction to<br \/>\nRonald Reagan&#8217;s death is putting on display what has happened to American public debate in the<br \/>\nyears since Reagan&#8217;s political rise in the late 1970s: a near-total collapse of serious analytical<br \/>\nthinking at the national level.&#8221;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What&#8217;s next? Saint Ronald? Everybody, including Mikhail Gorbachev this morning, is recalling just how wonderful the 40th U.S. president was. &#8220;I think he understood that it is the peacemakers, above all, who earn a place in history,&#8221; Gorbachev writes, in a bow not to the Great Communicator so much as the Friendly Persuader. In the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-729","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-bL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=729"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/729\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}