{"id":717,"date":"2004-06-02T10:44:00","date_gmt":"2004-06-02T17:44:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/06\/fat_cats\/"},"modified":"2004-06-02T10:44:00","modified_gmt":"2004-06-02T17:44:00","slug":"fat_cats","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/06\/fat_cats.html","title":{"rendered":"FAT CATS"},"content":{"rendered":"<p><P>The full-page newspaper ad for&nbsp;THE CONCERT FOR JOHN KERRY&nbsp;at Radio<br \/>\nCity Music Hall had a star-spangled banner wrapped around an electric guitar. Black background.<br \/>\nWhite type. It said: &#8220;A Change Is Going to Come.&#8221; It said there will be performances by Jon Bon<br \/>\nJovi, Whoopi Goldberg, Wyclef Jean, John Mellencamp, Bette Midler, James Taylor and Robin<br \/>\nWilliams. <\/P><br \/>\n<P>But here&#8217;s where it gets interesting. According to the ad, tickets are on sale by phone only<br \/>\nthrough Ticketmaster. The ad gave the number to call. It also gave a different phone number and<br \/>\norganization for &#8220;VIP Orchestra tickets and Premium Seats.&#8221; I wanted a regular ticket. The kind<br \/>\nthat ordinary people could buy. There were no prices listed in the ad, but I figured I&#8217;d go as high<br \/>\nas $100 if I had to. (Frankly, I didn&#8217;t really care about the show. I wanted to go strictly for<br \/>\nresearch, to see whether it could serve as the model for a fictional event in a novel I&#8217;m<br \/>\nwriting.)<\/P><br \/>\n<P>The Ticketmaster operator set me straight. The price of a &#8220;regular,&#8221; non-VIP ticket for a seat<br \/>\nin the orchestra is $1,000. &#8220;What&#8217;s the cheapest seat in the house?&#8221; He told me: $250, in the<br \/>\nbalcony. No wonder there is no mention of ticket prices in the ad, or even on the <A class=inline\nhref=\"http:\/\/www.ticketmaster.com\/event\/1D00389CA95938B9?brand=&#038;artistid=920446&#038;major\ncatid=10001&#038;minorcatid=1\" target='new\"'><B><EM><FONT color=#003399>Ticketmaster site<br \/>\nfor the concert<\/FONT><\/EM><\/B><\/A>. Why advertise bad news? They need to give you that<br \/>\nin private. &#8220;Never mind,&#8221; I said. &#8220;You&#8217;re sure this is a Kerry fund-raiser, not a Bush<br \/>\nfund-raiser?&#8221;<\/P><br \/>\n<P>Will somebody please remind Kerry and the show&#8217;s producers &#8212; Jann S. Wenner, John Sykes<br \/>\nand Harvey Weinstein &#8212; that ordinary people don&#8217;t have $1,000 to shell out so showbiz celebrities<br \/>\ncan raise funds for a multimillionaire candidate, even if he is a Democrat? Even if we need him to<br \/>\nrid ourselves of the multimillionaire Republican in the White House?<\/P><br \/>\n<P>The show is likely to be SRO, and if it isn&#8217;t they&#8217;ll paper the house. But one thing is certain. It<br \/>\nwill not be ordinary folks cheering the candidate on at Radio City Music Hall. It will be an<br \/>\naudience of fat cats.<\/P><br \/>\n<P><STRONG>Footnote:<\/STRONG>&nbsp;The online&nbsp;reproduction of the full-page ad,<br \/>\n<A class=inline href=\"http:\/\/www.democrats.org\/events\/nyconcert.html\"\ntarget='new\"'><B><EM><FONT color=#003399>THE CONCERT FOR JOHN<br \/>\nKERRY<\/FONT><\/EM><\/B><\/A>,&nbsp;mentions price information (in very small type) that<br \/>\ndid not appear in the print version.&nbsp;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The full-page newspaper ad for&nbsp;THE CONCERT FOR JOHN KERRY&nbsp;at Radio City Music Hall had a star-spangled banner wrapped around an electric guitar. Black background. White type. It said: &#8220;A Change Is Going to Come.&#8221; It said there will be performances by Jon Bon Jovi, Whoopi Goldberg, Wyclef Jean, John Mellencamp, Bette Midler, James Taylor and [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-717","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sbvgEs-fat_cats","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=717"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/717\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}