{"id":716,"date":"2004-05-28T12:45:24","date_gmt":"2004-05-28T19:45:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/05\/cooking_out_with_conspiracy_th\/"},"modified":"2004-05-28T12:45:24","modified_gmt":"2004-05-28T19:45:24","slug":"cooking_out_with_conspiracy_th","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/05\/cooking_out_with_conspiracy_th.html","title":{"rendered":"COOKING OUT WITH CONSPIRACY THEORIES"},"content":{"rendered":"<p><P>The Memorial Day weekend is upon us. It&#8217;s time to take a break. We leave for ours with a<br \/>\ncouple of reminders. <\/P><br \/>\n<P>One is entertaining: <A class=inline href=\"http:\/\/www.wm.edu\/news\/index.php?id=3650\"\ntarget='new\"'><B><EM><FONT color=#003399>Jon Stewart&#8217;s commencement<br \/>\naddress<\/FONT><\/EM><\/B><\/A> a couple of weeks ago at his alma mater, The College of<br \/>\nWilliam &#038; Mary, where &#8220;roughly <A class=inline href=\"http:\/\/www.wm.edu\/\"\ntarget='new\"'><B><EM><FONT color=#003399>13,000 people<\/FONT><\/EM><\/B><\/A><br \/>\npacked into William and Mary Hall&#8221; to hear him. His advice to newly minted graduates was, as he<br \/>\nmight say on &#8220;The Daily Show,&#8221; not unenlightening. &#8220;Thank you Mr. President,&#8221; he began,<br \/>\nafter&nbsp;receiving&nbsp;an honorary doctorate.&nbsp;&#8220;I had forgotten how crushingly dull<br \/>\nthese ceremonies are.&#8221; <\/P><br \/>\n<P>The other reminder is frightening: See fellow ArtsJournal blogger Kyle Gann&#8217;s item from<br \/>\nyesterday, <A class=inline href=\"http:\/\/www.artsjournal.com\/postclassic\/\"\ntarget='new\"'><B><EM><FONT color=#003399>&#8220;Have We Been<br \/>\nHoaxed?,&#8221;<\/FONT><\/EM><\/B><\/A> about the Nick Berg decapitation video. <\/P><br \/>\n<P>There IS something fishy going on, no question in my mind. But what? The main conspiracy<br \/>\ntheory going around is that the CIA (and other intelligence operatives?) made the video as<br \/>\ndisinformation propaganda either to blame terrorists for Nick Berg&#8217;s death, which the CIA (and\/or<br \/>\nthe U.S. military) was itself responsible for &#8212; thus pulling off a horrific cover-up &#8212; or to take<br \/>\nattention away from the Abu Ghraib torture photos that were coming out at the time by showing<br \/>\nthat the enemy was committing even more unspeakable acts against an American.<\/P><br \/>\n<P>I don&#8217;t think &#8220;changing the subject&#8221; by itself would be a strong enough motive. But to the<br \/>\nextent that changing the subject and covering up a crime are not mutually exclusive (indeed would<br \/>\nreinforce each other), I wouldn&#8217;t put it past the CIA and\/or other intelligence operatives to<br \/>\nactivate such a diabolical scenario. (The CIA has come up with crazier, more nefarious schemes<br \/>\nbefore.)<\/P><br \/>\n<P>Like millions of others, I let myself in for the misfortune of downloading the video. It was so<br \/>\nbarbaric I failed to notice many of the discrepancies the conspiracy theorists, and&nbsp;some<br \/>\nprofessional observers with real expertise,&nbsp;have been pointing out. Two, however, struck<br \/>\nme at the time: 1) The beheading itself, so shameful to watch, looked somehow unreal (no rivers<br \/>\nof blood, etc.). 2) The time sequence, as noted on the video recording, was discontinuous. Later,<br \/>\nafter reading various profiles of Nick Berg, I was also struck that the gaunt hostage with the<br \/>\nLincolnesque beard in the video looked not at all like the round-faced, beardless Nick Berg I saw<br \/>\nin earlier photos of him. <\/P><br \/>\n<P>But now that they&#8217;ve been pointed out to me, I don&#8217;t put much credence in the conpiracy<br \/>\nclaims for these discrepancies:&nbsp;the terrorists looked too well-fed to be rough-and-ready<br \/>\nterrorists on the run; their hands looked too lily white; one of them is wearing American running<br \/>\nshoes (supposedly a no-no) and another is wearing a gold ring (devout Moslems wouldn&#8217;t do<br \/>\nthat); you can&#8217;t see the prosthetic leg which the chief terrorist, Musab Al-Zarqawi, reportedly<br \/>\nwears; Zarqawi was reported dead in 2003; Berg&#8217;s blood-curdling scream was &#8220;probably&#8221; a<br \/>\nwoman&#8217;s voice dubbed onto the video&#8217;s out-of-sync soundtrack; the entire soundtrack was dubbed<br \/>\n(so what?); the orange prison outfit Nick Berg was wearing and the white plastic patio chair he<br \/>\nwas sitting in for part of the video match up with the outfit and chairs seen in the Abu Ghraib<br \/>\ntorture photos (this does give pause).<\/P><br \/>\n<P>The notion being touted by some&nbsp;that Berg was actually dead before he was beheaded<br \/>\nis not inconceivable. (Thus the lack of blood.) But that doesn&#8217;t mean the CIA killed him and faked<br \/>\nthe video. The terrorists could have done that themselves. The notion that the hostage in the<br \/>\nvideo was not Berg seems hard to believe. You would think his family or his friends would have<br \/>\nnoticed and said so. The notion that Berg might still be alive somewhere in captivity is also not<br \/>\ncredible. Trouble is, I don&#8217;t know what to believe.<\/P><br \/>\n<P><B>Postscript:<\/B> How does this fit into the conspiracy theories? A Johnny-on-the-Spot<br \/>\nassociate of Michael Moore <A class=inline\nhref=\"http:\/\/www.salon.com\/ent\/feature\/2004\/05\/27\/fahrenheit_911\/index.html\"\ntarget='new\"'><B><EM><FONT color=#003399>interviewed Nick<br \/>\nBerg<\/FONT><\/EM><\/B><\/A>&nbsp;for &#8220;Fahrenheit 9\/11,&#8221; but the footage never made it into<br \/>\nthe film.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Memorial Day weekend is upon us. It&#8217;s time to take a break. We leave for ours with a couple of reminders. One is entertaining: Jon Stewart&#8217;s commencement address a couple of weeks ago at his alma mater, The College of William &#038; Mary, where &#8220;roughly 13,000 people packed into William and Mary Hall&#8221; to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-716","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-by","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=716"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/716\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}