{"id":70763,"date":"2025-10-14T11:40:41","date_gmt":"2025-10-14T15:40:41","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=70763"},"modified":"2025-10-14T11:43:17","modified_gmt":"2025-10-14T15:43:17","slug":"yelling-his-fool-head-off","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2025\/10\/yelling-his-fool-head-off.html","title":{"rendered":"Yelling His Fool Head Off<\/strong>"},"content":{"rendered":"\n

He was up early. He would not say under the cover of darkness,
because he had nothing to hide. He had something to bury. \u2014 William ‘Cody’ Maher<\/em><\/strong><\/p>\n\n\n\n

Double click to enlarge for reading.<\/font><\/a><\/p>\n\n\n

\n
\"\"<\/a>
\u00a9 2025 by William ‘Cody’ Maher<\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

He was up early. He would not say under the cover of darkness,
\n because he had nothing to hide. He had something to bury. \u2014 William ‘Cody’ Maher<\/strong><\/p>\n","protected":false},"author":3,"featured_media":70778,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-70763","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2025\/10\/WILLIAM-CODY-MAHER.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ipl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/70763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=70763"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/70763\/revisions"}],"predecessor-version":[{"id":70779,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/70763\/revisions\/70779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/70778"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=70763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=70763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=70763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}