{"id":6872,"date":"2013-05-31T12:48:47","date_gmt":"2013-05-31T16:48:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=6872"},"modified":"2013-05-31T13:29:29","modified_gmt":"2013-05-31T17:29:29","slug":"john-barleycorn-death-to-alejandro","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/05\/john-barleycorn-death-to-alejandro.html","title":{"rendered":"<center>&#8216;John Barleycorn&#8217; &#038; &#8216;Death to Alejandro&#8217;<\/center>"},"content":{"rendered":"<p>Ben Schot does all his drawings on the hotel stationary of Les Fregates in <a href=\"http:\/\/en.wikipedia.org\/wiki\/Royale-les-Eaux\">Royale-les-Eaux<\/a>, a fictional seaside resort in Normandy described in <em>Casino Royale<\/em> as &#8220;just north of Dieppe.&#8221; He also keeps a running count by numbering them in sequence. These two were done back in March.<\/p>\n<p><div id=\"attachment_6871\" style=\"width: 266px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6871\" data-attachment-id=\"6871\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/05\/john-barleycorn-death-to-alejandro.html\/ben-johnbarleycorn-256\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256.jpeg\" data-orig-size=\"256,367\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DCP-115C&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"ben-schot-johnbarleycorn\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;John Barleycorn,&amp;#8217; drawing by Ben Schot [2013]&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256.jpeg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256.jpeg\" alt title=\"&#039;John Barleycorn,&#039; drawing by Ben Schot [2013]\" width=\"256\" height=\"367\" class=\"size-full wp-image-6871\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256.jpeg 256w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-johnbarleycorn-256-209x300.jpeg 209w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/a><p id=\"caption-attachment-6871\" class=\"wp-caption-text\"><br \/>&#8216;John Barleycorn,&#8217; drawing by Ben Schot [2013]<\/p><\/div><div id=\"attachment_6870\" style=\"width: 285px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6870\" data-attachment-id=\"6870\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/2013\/05\/john-barleycorn-death-to-alejandro.html\/ben-death-to-alejandro-275\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275.jpg\" data-orig-size=\"275,367\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"ben-schot-death-to-alejandro\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;Death to Alejandro,&amp;#8217; drawing by Ben Schot [2013]&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275.jpg\" src=\"http:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275.jpg\" alt title=\"&#039;Death to Alejandro,&#039; drawing by Ben Schot [2013]\" width=\"275\" height=\"367\" class=\"size-full wp-image-6870\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275.jpg 275w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2013\/05\/ben-death-to-alejandro-275-224x300.jpg 224w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/a><p id=\"caption-attachment-6870\" class=\"wp-caption-text\"><br \/>&#8216;Death to Alejandro,&#8217; drawing by Ben Schot [2013]<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ben Schot does all his drawings on the hotel stationary of Les Fregates in Royale-les-Eaux, a fictional seaside resort in Normandy described in Casino Royale as &#8220;just north of Dieppe.&#8221; He also keeps a running count by numbering them in sequence. These two were done back in March.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":{"0":"post-6872","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1MQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/6872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=6872"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/6872\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=6872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=6872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=6872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}