{"id":677,"date":"2004-05-12T09:57:41","date_gmt":"2004-05-12T16:57:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/05\/badge_of_honor\/"},"modified":"2004-05-12T09:57:41","modified_gmt":"2004-05-12T16:57:41","slug":"badge_of_honor","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/05\/badge_of_honor.html","title":{"rendered":"BADGE OF HONOR"},"content":{"rendered":"<p><P>The right-wing blog <A class=inline href=\"http:\/\/borzoiblog.com\/\"\ntarget='new\"'><B><EM><FONT color=#003399>A Dog&#8217;s Life<\/FONT><\/EM><\/B><\/A>,<br \/>\nwhich describes itself as a &#8220;Pedigreed Member of the Ankle-Biting Riffraff,&#8221; refers this morning to<br \/>\n&#8220;one Jan Herman, a microcephalic version of Frank Rich but with worse hydrophobia,&#8221; and puts<br \/>\nyours truly in the company of <A class=inline\nhref=\"http:\/\/www.matthewyglesias.com\/archives\/week_2004_04_18.html\"\ntarget='new\"'><B><EM><FONT color=#003399>Matthew Yglesias<\/FONT><\/EM><\/B><\/A>,<br \/>\nformer editor in chief of The Harvard Independent. How sweet.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The right-wing blog A Dog&#8217;s Life, which describes itself as a &#8220;Pedigreed Member of the Ankle-Biting Riffraff,&#8221; refers this morning to &#8220;one Jan Herman, a microcephalic version of Frank Rich but with worse hydrophobia,&#8221; and puts yours truly in the company of Matthew Yglesias, former editor in chief of The Harvard Independent. How sweet.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-677","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-aV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=677"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/677\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}