{"id":66257,"date":"2025-04-30T11:27:01","date_gmt":"2025-04-30T15:27:01","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=66257"},"modified":"2025-05-05T22:02:13","modified_gmt":"2025-05-06T02:02:13","slug":"remembering-one-of-his-most-fabulous-monologues","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2025\/04\/remembering-one-of-his-most-fabulous-monologues.html","title":{"rendered":"Remembering One of His Most Fabulous Monologues<\/strong>"},"content":{"rendered":"\n
While everyone is busily summarizing the first 100 days<\/a> of Trumpscheisse.2, the staff here (namely el se\u00f1or A. Robert Lee) can’t help recalling pre-Trumpscheisse.1, when these words fell from the Dear Leader’s lips like the last delirious words of Dutch Schultz. Think “The Last Words of Dutch Schultz,”<\/a> a Burroughs screenplay about a bootlegging mob boss who was shot while urinating in a Newark bar.<\/h5>\n\n\n
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While everyone is busily summarizing the first 100 days of Trumpscheisse.2, the staff here can’t help recalling pre-Trumpscheisse.1, when these words fell from his lips like the last delirious words of a rat. Makes me think of “The Last Words of Dutch Schultz,” that Burroughs screenplay about a bootlegging mob boss who was shot dead while urinating in a Newark bar. <\/strong><\/p>\n","protected":false},"author":3,"featured_media":66256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,23,17],"tags":[],"class_list":{"0":"post-66257","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"category-news","9":"category-political-culture","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2025\/04\/like-a-dopified-rat-bdr-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-heF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/66257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=66257"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/66257\/revisions"}],"predecessor-version":[{"id":66462,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/66257\/revisions\/66462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/66256"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=66257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=66257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=66257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}