{"id":653,"date":"2004-04-28T09:36:29","date_gmt":"2004-04-28T16:36:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/poets_corner\/"},"modified":"2004-04-28T09:36:29","modified_gmt":"2004-04-28T16:36:29","slug":"poets_corner","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/poets_corner.html","title":{"rendered":"POET&#8217;S CORNER"},"content":{"rendered":"<p><P>Herewith the latest from <A\nhref=\"http:\/\/www.artsjournal.com\/herman\/archives20040401.shtml#76400\"><B><EM><FONT\ncolor=#003399>Leon Freilich<\/FONT><\/EM><\/B><\/A>:<\/P><br \/>\n<P><I><B>INCURIOUS GEORGE<\/B><\/I><\/P><br \/>\n<P><I>&#8220;This is historic times,&#8221; he notes<BR>In one of his more memorable quotes.<BR>The<br \/>\nrugged cowboy CEO,<BR>Not known for his desire to know,<BR>Distrusts ideas and words<br \/>\nalike,<BR>Shunning both on his exercise bike.<\/I><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Herewith the latest from Leon Freilich: INCURIOUS GEORGE &#8220;This is historic times,&#8221; he notesIn one of his more memorable quotes.The rugged cowboy CEO,Not known for his desire to know,Distrusts ideas and words alike,Shunning both on his exercise bike.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-653","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ax","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/653\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}