{"id":648,"date":"2004-04-28T09:37:51","date_gmt":"2004-04-28T16:37:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/lip_service\/"},"modified":"2004-04-28T09:37:51","modified_gmt":"2004-04-28T16:37:51","slug":"lip_service","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/lip_service.html","title":{"rendered":"LIP SERVICE"},"content":{"rendered":"<p><P>Not under oath. Not in public. No recording. No transcript. Two note takers only. Those<br \/>\nare&nbsp;the peculiar&nbsp;<A\nhref=\"http:\/\/www.nytimes.com\/2004\/04\/28\/politics\/28BUSH.html\"><B><EM><FONT\ncolor=#003399>ground rules<\/FONT><\/EM><\/B><\/A> when the ventriloquist and his dummy<br \/>\ntake their act to the 9\/11 commission tomorrow morning. If that&#8217;s not clear enough, a White<br \/>\nHouse adviser to the dummy explains: &#8220;He is not testifying, he is talking to them. A transcript<br \/>\nimplies testimony.&#8221; Advice to the note takers: Brush up your shorthand and sharpen your pencils.<br \/>\nAdvice to the commission: Make sure the ventriloquist drinks a glass of water when the dummy is<br \/>\ntalking.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not under oath. Not in public. No recording. No transcript. Two note takers only. Those are&nbsp;the peculiar&nbsp;ground rules when the ventriloquist and his dummy take their act to the 9\/11 commission tomorrow morning. If that&#8217;s not clear enough, a White House adviser to the dummy explains: &#8220;He is not testifying, he is talking to them. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-648","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-as","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/648\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}