{"id":647,"date":"2004-04-27T09:42:58","date_gmt":"2004-04-27T16:42:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/freebie_for_all\/"},"modified":"2004-04-27T09:42:58","modified_gmt":"2004-04-27T16:42:58","slug":"freebie_for_all","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/freebie_for_all.html","title":{"rendered":"FREEBIE FOR ALL"},"content":{"rendered":"<p><P>For any folks who have nothing to do and no money to do it on: There&#8217;s a free<br \/>\nprepostclassical concert Wednesday at 1 p.m. in Alice Tully Hall (Broadway at 66th St.) in<br \/>\nManhattan. We have it on good authority that several postgrad Juilliard conductors are to take<br \/>\nturns leading the Juilliard Conductors&#8217; Orchestra in Mendelssohn&#8217;s <I>Hebrides Overture,<\/I><br \/>\nRossini&#8217;s <I>Overture to Italiana in Algeri<\/I>, Beethoven&#8217;s <I>Egmont Overture<\/I>, and<br \/>\nTchaikovsky&#8217;s <I>Romeo and Juliet.<\/I><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For any folks who have nothing to do and no money to do it on: There&#8217;s a free prepostclassical concert Wednesday at 1 p.m. in Alice Tully Hall (Broadway at 66th St.) in Manhattan. We have it on good authority that several postgrad Juilliard conductors are to take turns leading the Juilliard Conductors&#8217; Orchestra in [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-647","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ar","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/647\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}