{"id":62922,"date":"2024-10-21T11:57:35","date_gmt":"2024-10-21T15:57:35","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=62922"},"modified":"2025-01-09T15:21:06","modified_gmt":"2025-01-09T20:21:06","slug":"human-figuration-as-an-expression-of-ideas","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/10\/human-figuration-as-an-expression-of-ideas.html","title":{"rendered":"<strong>Human Figuration as an Expression of Ideas<\/strong>"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"640\" data-attachment-id=\"62909\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/1-cover-bdr\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr.jpeg\" data-orig-size=\"417,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"1- cover (bdr)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr-195x300.jpeg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr.jpeg\" alt=\"\" class=\"wp-image-62909\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr.jpeg 417w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/1-cover-bdr-195x300.jpeg 195w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>These drawings move across centuries, from the Middle Ages to our blighted times with death always present in many disguises, as are decay and rebirth in an unflinching rawness that gives no comfort. Nothing is omitted. You will find the sexual inscribed like watermarks of passion and anguish. The demonic appears in equal measure with the angelic. But most of all, not unlike cave drawings of prehistoric times, they are an existential record of a particular creature, Bellaart by name. <em>(Just published.)<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"365\" height=\"394\" data-attachment-id=\"62910\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/screenshot-65\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg\" data-orig-size=\"365,394\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Screenshot\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Screenshot&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365-278x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg\" alt=\"\" class=\"wp-image-62910\" style=\"width:278px;height:auto\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365-278x300.jpg 278w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIS.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"396\" data-attachment-id=\"63246\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/screenshot-78\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640.jpg\" data-orig-size=\"640,396\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Screenshot\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Screenshot&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640-300x186.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640.jpg\" alt=\"\" class=\"wp-image-63246\" style=\"width:711px;height:auto\" title=\"CLICK IMAGE TO ENLARGE\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640.jpg 640w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/11\/from-DI-UMBRIA-640-300x186.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Click the image to enlarge.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>These drawings move across centuries, from the Middle Ages to our blighted times in an unflinching rawness that gives no comfort. Nothing is omitted. You will find the sexual inscribed like watermarks of passion and anguish.  The demonic appears in equal measure with the angelic. Most of all, not unlike cave drawings of prehistoric times, they are an existential record of a particular creature, Bellaart by name.<\/p>\n","protected":false},"author":3,"featured_media":62910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-62922","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/10\/2-de-umbris-Moloko-cover-bdr-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-gmS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=62922"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62922\/revisions"}],"predecessor-version":[{"id":64025,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62922\/revisions\/64025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/62910"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=62922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=62922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=62922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}