{"id":62120,"date":"2024-08-15T12:05:35","date_gmt":"2024-08-15T16:05:35","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=62120"},"modified":"2024-08-25T13:30:35","modified_gmt":"2024-08-25T17:30:35","slug":"they-come-at-night","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/08\/they-come-at-night.html","title":{"rendered":"<strong>They Come at Night<\/strong>"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"610\" data-attachment-id=\"29720\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/morose-delectation-20-1-1981-400\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg\" data-orig-size=\"400,610\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&amp;#8216;Morose Delectation&amp;#8217; \u00a9 by Gerard Bellaart (Jan. 20, 1981)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8216;Morose Delectation&amp;#8217; \u00a9 by Gerard Bellaart&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg\" alt=\"'Morose Delectation' \u00a9 1981 by Gerard Bellaart\" class=\"wp-image-29720\" style=\"width:276px;height:auto\" title=\"Click to enlarge.\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400-197x300.jpg 197w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><figcaption class=\"wp-element-caption\"><em><sub>Drawing \u00a9 by Gerard Bellaart<\/sub><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<pre class=\"wp-block-verse\"><strong><em>WHISPERS<\/em> <br><br>the&nbsp;face<\/strong><br><strong>that launched<br><span style=\"font-size: 14pt; font-family: &quot;Goudy Type&quot;;\"><\/span>a thousand ships<\/strong><br><strong>has sailed<\/strong><br><strong>and not in beauty<\/strong><br><br><strong>her grim departure<\/strong><br><strong>from recurring&nbsp;cancer<\/strong><br><strong>failed&nbsp;to&nbsp;interfere<\/strong><br><strong>with his sexual&nbsp;pleasure<br>which is something&nbsp;<span style=\"font-size: 14pt; font-family: &quot;Goudy Type&quot;; background-image: none; background-position: 0% 0%; background-size: auto; background-repeat: repeat; background-origin: padding-box; background-clip: border-box;\"><\/span><span style=\"font-size: 14pt; font-family: &quot;Goudy Type&quot;; background-image: none; background-position: 0% 0%; background-size: auto; background-repeat: repeat; background-origin: padding-box; background-clip: border-box;\"><\/span>to&nbsp;ponder<br>besides&nbsp;Spinoza<\/strong><br><br><strong><em>jh<\/em><\/strong><\/pre>\n\n\n\n<p><\/p>\n\n\n\n<p>\u2022 \u2022 \u2022<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"566\" data-attachment-id=\"62103\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/screenshot-53\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh.jpg\" data-orig-size=\"400,566\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh.jpg\" alt=\"\" class=\"wp-image-62103\" style=\"width:272px;height:auto\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh.jpg 400w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/08\/drawing-by-GB-400-enh-212x300.jpg 212w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><figcaption class=\"wp-element-caption\"><em><sub>Drawing \u00a9 by Gerard Bellaart<\/sub><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<pre class=\"wp-block-verse\"><strong><em>MORE WHISPERS<\/em><\/strong><br><br><strong>he has<\/strong><br><strong>cannibal teeth<br>&amp; sparkling eyes<br>but foiled by oblivion<br>lies eyeless&nbsp;<br>beneath the sand<\/strong><br><br><strong>had he<br>simply disappeared<br>no worms ... no flames<br>it would have eased <\/strong><br><strong>the matter<\/strong><br><br><strong><em>jh<\/em><\/strong><\/pre>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WHISPERS <\/p>\n<p>the face<br \/>\nthat launched<br \/>\na thousand ships<br \/>\nhas sailed<br \/>\nand not in beauty<\/p>\n","protected":false},"author":3,"featured_media":29720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,17],"tags":[],"class_list":{"0":"post-62120","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2018\/05\/morose-delectation-20-1-1981-400.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-g9W","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=62120"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62120\/revisions"}],"predecessor-version":[{"id":62194,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/62120\/revisions\/62194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/29720"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=62120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=62120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=62120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}