{"id":619,"date":"2004-04-08T10:49:51","date_gmt":"2004-04-08T17:49:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/the_condi_context\/"},"modified":"2004-04-08T10:49:51","modified_gmt":"2004-04-08T17:49:51","slug":"the_condi_context","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/the_condi_context.html","title":{"rendered":"THE CONDI CONTEXT"},"content":{"rendered":"<p><P>Pass the No-Doze. Two hours into Condoleezza Rice&#8217;s 9\/11 hearing testimony is anybody still<br \/>\nawake?&nbsp;A typical Condi sound-bite: &#8220;We were looking in the context&nbsp; of the plan<br \/>\nthat gave a better regional&nbsp;context &#8230;&#8221; Zzzzzzz. <\/P><br \/>\n<P>To &#8220;the sleaze factor&#8221; and&nbsp;(thanks&nbsp;to columnist Nicholas von<br \/>\nHoffman&#8217;s&nbsp;apt coinage) &#8220;the swine factor&#8221;&nbsp;in describing&nbsp;the W Ltd. gang, let&#8217;s<br \/>\nadd&nbsp;(thanks to the National Security Adviser) &#8220;the snooze factor.&#8221;&nbsp; That&#8217;s the Condi<br \/>\ncontext. At any rate, she may well be remembered as Condoleezza (&#8220;Cover Your Ass&#8221;)<br \/>\nRice.&nbsp;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pass the No-Doze. Two hours into Condoleezza Rice&#8217;s 9\/11 hearing testimony is anybody still awake?&nbsp;A typical Condi sound-bite: &#8220;We were looking in the context&nbsp; of the plan that gave a better regional&nbsp;context &#8230;&#8221; Zzzzzzz. To &#8220;the sleaze factor&#8221; and&nbsp;(thanks&nbsp;to columnist Nicholas von Hoffman&#8217;s&nbsp;apt coinage) &#8220;the swine factor&#8221;&nbsp;in describing&nbsp;the W Ltd. gang, let&#8217;s add&nbsp;(thanks to the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-619","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9Z","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=619"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/619\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}