{"id":614,"date":"2004-04-02T10:43:48","date_gmt":"2004-04-02T18:43:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/oh_forget_it\/"},"modified":"2004-04-02T10:43:48","modified_gmt":"2004-04-02T18:43:48","slug":"oh_forget_it","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/oh_forget_it.html","title":{"rendered":"OH, FORGET IT"},"content":{"rendered":"<p><P><FONT size=2>Slate&#8217;s <\/FONT><A href=\"http:\/\/slate.msn.com\/id\/2097362\/\"><B><FONT\ncolor=#003399 size=2><EM>rave notice<\/EM><\/FONT><\/B><\/A><FONT size=2> for<br \/>\n&#8220;Eternal Sunshine of the Spotless Mind&#8221; makes me cringe with disbelief. &#8220;This is the best movie<br \/>\nI&#8217;ve seen in a decade,&#8221; David Edelstein wrote, and he had <\/FONT><A\nhref=\"http:\/\/www.metacritic.com\/film\/titles\/eternalsunshineofthespotlessmind\/\"><B><FONT\ncolor=#003399 size=2><EM>lots of company<\/EM><\/FONT><\/B><\/A><FONT size=2> from<br \/>\ncritics across the spectrum. There&#8217;s no accounting for taste and all that. But it reminds me of a<br \/>\nrecent conversation I had while standing on line in the men&#8217;s room waiting for a urinal, having<br \/>\njust&nbsp;seen a special&nbsp;theatrical screening of&nbsp;<\/FONT><A\nhref=\"http:\/\/www.apple.com\/trailers\/fineline\/ripleys_game.html\"><B><FONT color=#003399\nsize=2><EM>&#8220;Ripley&#8217;s Game&#8221;<\/EM><\/FONT><\/B><\/A><FONT size=2> (with <\/FONT><A\nhref=\"http:\/\/www.ripleys-game.com\/\"><B><FONT color=#003399 size=2><EM>John<br \/>\nMalkovich as Ripley<\/EM><\/FONT><\/B><\/A>)<FONT size=2>.<\/FONT><\/P><br \/>\n<P><FONT size=2>Guy on line asks me, &#8220;Like it?&#8221;<BR>&#8220;Loved it.&#8221;<BR>Guy next to me says,<br \/>\n&#8220;I didn&#8217;t like it at all.&#8221;<BR>&#8220;Why not?&#8221;<BR>&#8220;Badly directed. No suspense. I didn&#8217;t care about the<br \/>\ncharacters.&#8221;<BR>&#8220;That&#8217;s three strikes. What films have you liked?&#8221;<BR>It takes him a while.<br \/>\n&#8220;The Umbrellas of Cherbourg.&#8221;<BR>&#8220;That&#8217;s 40 years ago. Nothing more recent?&#8221;<BR>Guy<br \/>\nstares at me. He&#8217;s still thinking when it&#8217;s my turn at the urinal. End of conversation.<\/FONT><\/P><br \/>\n<P><FONT size=2>In the scheme of things, neither Edelstein&#8217;s rave in Slate nor my conversation<br \/>\nin the men&#8217;s room means much. (&#8220;Ripley&#8217;s Game&#8221; hasn&#8217;t even had a commercial release.) But the<br \/>\ncritical&nbsp;hype for &#8220;Spotless Mind&#8221; has led to some peculiar conclusions, like the one that<br \/>\nsums up a lengthy disquisition on the science of <\/FONT><A\nhref=\"http:\/\/slate.msn.com\/id\/2097502\"><B><FONT color=#003399 size=2><EM>memory<br \/>\nerasure<\/EM><\/FONT><\/B><\/A><FONT size=2>, which is the key to that flick:<\/FONT><\/P><br \/>\n<BLOCKQUOTE><FONT size=2>While the culture frets over the perils of high-tech erasure,<br \/>\nwe should really be worrying about the opposite: what will happen when we remember too<br \/>\nmuch.<\/FONT><\/BLOCKQUOTE><br \/>\n<P><FONT size=2>Until I read that, I hadn&#8217;t realize the culture was fretting about&nbsp;such<br \/>\nperils. I thought it was fretting about the perils of Iraq, the economy, gay marriage, bared breasts,<br \/>\ncorporate corruption and the W&nbsp;Ltd. gang.&nbsp;I guess I&#8217;ll&nbsp;have to add high-tech<br \/>\nmemory erasure to the list. I<\/FONT><FONT size=2>f you want to know the truth, I thought my<br \/>\nproblem was plain, low-tech forgetting. Like what did I do with my glasses? Oh, there they are,<br \/>\non the bridge of my nose.<\/FONT><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Slate&#8217;s rave notice for &#8220;Eternal Sunshine of the Spotless Mind&#8221; makes me cringe with disbelief. &#8220;This is the best movie I&#8217;ve seen in a decade,&#8221; David Edelstein wrote, and he had lots of company from critics across the spectrum. There&#8217;s no accounting for taste and all that. But it reminds me of a recent conversation [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-614","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9U","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=614"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/614\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}