{"id":61356,"date":"2024-06-19T12:23:24","date_gmt":"2024-06-19T16:23:24","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=61356"},"modified":"2024-06-19T15:09:11","modified_gmt":"2024-06-19T19:09:11","slug":"pictures-at-an-artists-studio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/06\/pictures-at-an-artists-studio.html","title":{"rendered":"Whimsy and Philosophy: Pictures at an Artist’s Studio<\/strong><\/em>"},"content":{"rendered":"
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Paul Zelevansky<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
On a visit to Paul Zelevansky's studio in Manhattan, I took some pictures of the works he had there on display. These are a few of the ones I photographed.  I post them here without commentary other than their titles for you to decide how they strike you. They are not scaled to size, however, and do not give an accurate impression of their relative dimensions. <\/strong><\/pre>\n\n\n
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A VIEW OF THE GRAVEL EXPANSE AT DAWN (closed and opened)<\/em><\/figcaption><\/figure>\n<\/div>\n\n
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SLED MASK <\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
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LA PARADE<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
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HIVE<\/em><\/figcaption><\/figure>\n\n\n
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THE CASE FOR THE BURIAL OF ANCESTORS<\/em><\/figcaption><\/figure>\n<\/div>\n\n
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BLACK AND WHITE TRAINS<\/em><\/figcaption><\/figure>\n<\/div>\n\n
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OFFERING<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
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On a visit to Paul Zelevansky’s studio in Manhattan, I took some pictures of the works he had there on display. These are some of the ones I photographed.  I post them here without commentary other than their titles for you to decide how they strike you. <\/p>\n","protected":false},"author":3,"featured_media":61474,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,23,17],"tags":[],"class_list":{"0":"post-61356","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/06\/Paul-Zelevansky-220-copy.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fXC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=61356"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61356\/revisions"}],"predecessor-version":[{"id":61498,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61356\/revisions\/61498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/61474"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=61356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=61356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=61356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}