{"id":61053,"date":"2024-06-10T10:34:26","date_gmt":"2024-06-10T14:34:26","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=61053"},"modified":"2024-06-11T16:41:33","modified_gmt":"2024-06-11T20:41:33","slug":"kathe-kollwitz-at-moma","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/06\/kathe-kollwitz-at-moma.html","title":{"rendered":"K\u00e4the Kollwitz at MoMA<\/strong>"},"content":{"rendered":"\n

Finally got to see this intimate, brooding retrospective<\/a>.<\/p>\n\n\n\n

\"Death Seizes a Woman\" delivers shock and fear<\/strong> beyond words<\/strong>.<\/pre>\n\n\n
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 ‘Death Seizes a Woman’ <\/em>(plate 4) from the series ‘Death,’ 1934
Lithograph
 Composition 19 15\/16 x 14 1\/2″ (50.7 x 36.8 cm)
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\"Self-Portrait en face\" delivers an unrelenting, sober gaze.<\/strong><\/pre>\n\n\n\n
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\"\"<\/a>
‘Self-Portrait en face,’  <\/em>c.1904
Crayon and pen lithograph, printed in three colors
Composition 17 5\/16 \u00d7 13 3\/8″ (44 \u00d7 34 cm)<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"
Finally got to see this intimate, brooding retrospective. <\/p>\n","protected":false},"author":3,"featured_media":61112,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,23,17],"tags":[],"class_list":{"0":"post-61053","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/06\/kollwitz-self-portrait-en-face-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fSJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=61053"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61053\/revisions"}],"predecessor-version":[{"id":61248,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/61053\/revisions\/61248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/61112"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=61053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=61053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=61053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}