{"id":608,"date":"2004-04-08T01:04:40","date_gmt":"2004-04-08T08:04:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/04\/from_the_plaza_of_the_revoluti\/"},"modified":"2004-04-08T01:04:40","modified_gmt":"2004-04-08T08:04:40","slug":"from_the_plaza_of_the_revoluti","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/04\/from_the_plaza_of_the_revoluti.html","title":{"rendered":"FROM THE PLAZA OF THE REVOLUTION"},"content":{"rendered":"<p><P>Courtesy of my&nbsp;man in Havana, the latest issue of <A\nhref=\"http:\/\/www.cubanow.net\/home\/index.htm\"><B><EM><FONT\ncolor=#003399>CubaNow<\/FONT><\/EM><\/B><\/A> (a digital magazine of Cuban arts and<br \/>\nculture) just eluded U.S. customs and made it into my emailbox. It&nbsp;features stacks of<br \/>\ncurrent and archived articles like these, picked at random: <A\nhref=\"http:\/\/www.cubanow.net\/literature\/Eng\/num13\/2.htm\"><B><EM><FONT\ncolor=#003399>Gabriel Garcia Marquez<\/FONT><\/EM><\/B><\/A> on &#8220;bad literature teachers&#8221;;<br \/>\nCuba&#8217;s&nbsp;most eminent&nbsp;musicologist, <A\nhref=\"http:\/\/www.cubanow.net\/feature\/Eng\/num13\/index.htm\"><B><EM><FONT\ncolor=#003399>Maria Teresa Linares<\/FONT><\/EM><\/B><\/A>, on &#8220;the close relationship and<br \/>\nmutual influence of Cuban and American music, from early symphonic orchestras to present day<br \/>\nrap groups&#8221;; <A href=\"http:\/\/www.cubanow.net\/music\/Eng\/num14\/1.htm\"><B><EM><FONT\ncolor=#003399>Herbie<\/FONT><\/EM> <EM><FONT color=#003399>Hancock Jammin&#8217; in<br \/>\nHavana<\/FONT><\/EM><\/B><\/A>; <A\nhref=\"http:\/\/www.cubanow.net\/music\/Eng\/num14\/2.htm\"><B><EM><FONT\ncolor=#003399>Danzon<\/FONT><\/EM><\/B><\/A>, the Cuban dance fit for a queen. Many<br \/>\narticles are translated &#8212; somewhat awkwardly &#8212; from the Spanish. Others seem to have been<br \/>\nwritten directly in awkward English. Not all&nbsp;the articles are from Cuba. <A\nhref=\"http:\/\/www.cubanow.net\/culture\/Eng\/num13\/2.htm\"><B><EM><FONT\ncolor=#003399>Chomsky highlights flaws in Bush Doctrine<\/FONT><\/EM><\/B><\/A>, for<br \/>\nexample, is reprinted from the Yale Daily News. But the magazine as a whole communicates an<br \/>\nunfiltered Cuban point of view, which, whether you agree with it or not,<br \/>\nmakes&nbsp;<EM>innaresting<\/EM> reading.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Courtesy of my&nbsp;man in Havana, the latest issue of CubaNow (a digital magazine of Cuban arts and culture) just eluded U.S. customs and made it into my emailbox. It&nbsp;features stacks of current and archived articles like these, picked at random: Gabriel Garcia Marquez on &#8220;bad literature teachers&#8221;; Cuba&#8217;s&nbsp;most eminent&nbsp;musicologist, Maria Teresa Linares, on &#8220;the close [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-608","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9O","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=608"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/608\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}