{"id":60600,"date":"2024-05-01T09:10:26","date_gmt":"2024-05-01T13:10:26","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=60600"},"modified":"2024-05-01T09:14:12","modified_gmt":"2024-05-01T13:14:12","slug":"alvaro-mutis-on-the-real-nowhere-man","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/05\/alvaro-mutis-on-the-real-nowhere-man.html","title":{"rendered":"\u00c1lvaro Mutis on the Real Nowhere Man<\/em>"},"content":{"rendered":"\n

Click the image to enlarge.<\/a><\/p>\n\n\n

\n
\"\"<\/a>
Drawing \u00a9 2024 by Gerard Bellaart<\/figcaption><\/figure>\n<\/div>\n\n\n

“He’s a real nowhere man \/ Sitting in his nowhere land \/ Making all his nowhere plans for nobody …”
\u2014 lyrics by John Lennon and Paul McCartney<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

“From his essential dullness,, his useless, worn-out gestures, his equivocal, tenacious desires, his ‘nowhere,’ his walled-in yearning to communicate, his continuous laughable travels, his raising his shoulders like a hungry ape, his conventional, fearful laughter, his impoverished litany of passions …” Or as The Beatles sang it, “He’s a real nowhere man …” <\/p>\n","protected":false},"author":3,"featured_media":60596,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-60600","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/04\/Alvaro-Mutis-MAN-recto-verso-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fLq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=60600"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60600\/revisions"}],"predecessor-version":[{"id":60621,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60600\/revisions\/60621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/60596"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=60600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=60600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=60600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}