{"id":60555,"date":"2024-05-07T09:04:08","date_gmt":"2024-05-07T13:04:08","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=60555"},"modified":"2024-10-31T20:26:34","modified_gmt":"2024-11-01T00:26:34","slug":"there-he-was-in-a-dream","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/05\/there-he-was-in-a-dream.html","title":{"rendered":"‘There he was in a dream . . .’<\/strong><\/em>"},"content":{"rendered":"
\n
\"\"<\/a>
Drawing (homage to de Chirico)
\u00a9 2024 by Gerard Bellaart<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
There he was in a dream
in some restaurant \u2014
a San Francisco dream. 
He gives me a manuscript 
on elegant stationery
with a letterhead of
raised black lettering 
in a typeface rare & delicate. 
He\u2019s terminal. We both 
know it. Somehow
he says without words,
\u201d<\/strong><\/em>Don\u2019t get all worked up. 
Take it as it comes. 
Happens to all.\u201d End of dream.<\/strong>

 \u2014\u2014 jh<\/strong><\/em>
<\/pre>\n","protected":false},"excerpt":{"rendered":"
“He gives me a manuscript
\non elegant stationery
\nwith a letterhead of
\nraised black lettering
\nin typeface rare & delicate.
\nHe\u2019s terminal. We both
\nknow it. …”<\/p>\n","protected":false},"author":3,"featured_media":60518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-60555","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/04\/2024-the-painter-IMG_1235.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fKH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=60555"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60555\/revisions"}],"predecessor-version":[{"id":63060,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/60555\/revisions\/63060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/60518"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=60555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=60555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=60555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}