Now, at last, he has a Some other Roth stuff to look at: 58 works of his Dieter Roth, a great and prodigious artist who rebelled against the establishment, is too little appreciated in the United States. The only show of his I ever saw was at the Museum of Contemporary Art in Chicago a couple of decades ago. But I’ve admired him for many years, ever since knowing some of his associates, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-595","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9B","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/595\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nrebelled against the establishment, is too little appreciated in the United States. The only
\nshow of his I ever saw was at the Museum of Contemporary Art in Chicago a couple of decades
\nago. But I’ve admired him for many years, ever since knowing some of his associates, the poet
\nEmmett Williams, for instance, and others who were part of the Fluxus group in the ’60s.<\/P>
\n
\nretrospective<\/FONT><\/EM><\/B><\/A> — he died in 1998 — at New York’s Museum of Modern
\nArt, entitled
\nContemporary Art Center. Have a look at the very cool
\n
\nthe Fred Jones Jr. Museum of Art at The University of Oklahoma,
\nPlay”<\/FONT><\/EM><\/STRONG><\/A> and
\n“Rubber Stamp
\nBox”<\/FONT><\/EM><\/B><\/A> at the MCA in Chicago. Oh, here’s a postcard
\nseries, <\/EM>
\n<\/FONT>