{"id":59482,"date":"2024-02-24T13:18:01","date_gmt":"2024-02-24T18:18:01","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=59482"},"modified":"2024-02-24T13:19:23","modified_gmt":"2024-02-24T18:19:23","slug":"make-of-it-what-you-will-other-minds-always-offers-a-musical-change-of-pace","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/02\/make-of-it-what-you-will-other-minds-always-offers-a-musical-change-of-pace.html","title":{"rendered":"<em><font size=\"+1\">Make of It What You Will<\/em><\/font> <br><strong>Other Minds Always Offers a Musical Change of Pace<\/strong>"},"content":{"rendered":"\n<p>Thirty-one years after its founding, <a href=\"https:\/\/www.otherminds.org\/about\/\">Other Minds<\/a>, the brainchild of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Charles_Amirkhanian\">Charles Amirkhanian<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jim_Newman_(television_producer)\">Jim Newman<\/a>, is still going strong  as a presenter of experimental contemporary music with an emphasis on &#8220;the most original, eccentric, and underrepresented creative voices.&#8221; Here&#8217;s a presentation of <a href=\"https:\/\/lindabouchard.com\">Linda Bouchard<\/a> and the <a href=\"https:\/\/livestructures.com\/triocular-set\/\">Ensemble TriOcular+<\/a> performing three of her &#8220;Live Structures&#8221; pieces.\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Other Minds 27: Linda Bouchard\" src=\"https:\/\/player.vimeo.com\/video\/911381036?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/blockquote>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignright size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"365\" height=\"372\" data-attachment-id=\"59506\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/linda-bouchard-365\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg\" data-orig-size=\"365,372\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Linda Bouchard (365)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365-294x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg\" alt=\"\" class=\"wp-image-59506\" style=\"width:176px;height:auto\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365-294x300.jpg 294w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Linda Bouchard<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em><strong>The pieces use real-time graphics to explore different ways of interpreting data into musical notation. Bouchard&#8217;s custom digital tool Ocular Score pushes the boundaries of expression while revealing the high-octane creativity of the performers. The system allows the composer to interact with the score as it is being created in a performance setting. The musicians\u2019 sounds create images which the composer manipulates with the help of filters. These visualizations produce graphic scores created in real time and used in the live performance.<\/strong><\/em><strong>&#8220;<\/strong> <strong>\u2014 Other Minds<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thirty-one years after its founding, Other Minds, the brainchild of Charles Amirkhanian and Jim Newman, is still going strong  as a presenter of experimental contemporary music with an emphasis on &#8220;the most original, eccentric, and underrepresented creative voices.&#8221; Here&#8217;s a presentation of Linda Bouchard and the Ensemble TriOcular+.<\/p>\n","protected":false},"author":3,"featured_media":59506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,20,22,23,17],"tags":[],"class_list":{"0":"post-59482","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"category-media","9":"category-music","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/02\/Linda-Bouchard-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fto","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=59482"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59482\/revisions"}],"predecessor-version":[{"id":59525,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59482\/revisions\/59525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/59506"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=59482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=59482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=59482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}