Later today, ArtsJournal editor Doug McLennan will post a commentary on American Among other things, Osborne takes on what he calls “the Hip-Con Later today, ArtsJournal editor Doug McLennan will post a commentary on American and European cultural funding by William Osborne, the composer-social activist-musicologist whose “downtown” music will be performed Tuesday at REDCAT in Frank Gehry’s Walt Disney Hall complex in Los Angeles. The commentary is typical of Osborne — probing, thorough, scholarly and provocative. Get a preview of it now: “Marketplace […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-594","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9A","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=594"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/594\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nand European cultural funding by William Osborne, the composer-social activist-musicologist
\nwhose “downtown” music will be performed
\nWalt Disney Hall complex in Los Angeles. The commentary is typical of Osborne —
\nprobing, thorough, scholarly and provocative. Get a preview of it now:
\n
\nargument” that “classical music must enter the market place in order to survive.” The
\nnotion was embraced at ArtsJournal by the critic Gary Sandow in his
\non the future of classical music<\/FONT><\/EM><\/B><\/A>. For a variety of reasons, Osborne
\nfinds the “suggestion that classical composers should tap into the fringes of the pop market …
\ninteresting, but of limited value.” Read his commentary. It’s filled with serious ideas.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"