{"id":592,"date":"2004-03-30T09:42:48","date_gmt":"2004-03-30T17:42:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/03\/probably_not_mel_gibsons_next\/"},"modified":"2004-03-30T09:42:48","modified_gmt":"2004-03-30T17:42:48","slug":"probably_not_mel_gibsons_next","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/03\/probably_not_mel_gibsons_next.html","title":{"rendered":"PROBABLY NOT MEL GIBSON&#8217;S NEXT MOVIE"},"content":{"rendered":"<p><P>Let&#8217;s see if the Biblical flogmeister can make a movie out of &#8220;Psalm 2004,&#8221; now playing the<br \/>\nemail circuit:<\/P><br \/>\n<P><I>Bush is my shepherd,<BR>I shall be in want.<br \/><\/I><I>He leadeth me beside the still<br \/>\nfactories,<BR>He maketh me to lie down on park benches,<BR>He restoreth my doubts about<br \/>\nthe Republican party,<BR>He guideth me onto the paths of unemployment for the party&#8217;s<br \/>\nsake.<BR>I do fear the evildoers, for thou talkst about them constantly.<BR>Thy tax cuts for the<br \/>\nrich and thy deficit spending<BR>They do discomfort me.<BR>Thou anointeth me with<br \/>\nnever-ending debt,<BR>And my savings and assets shall soon be gone.<BR>Surely poverty and<br \/>\nhard living shall follow me all the days of my life,<BR>And my jobless children shall dwell in my<br \/>\nbasement forever.<\/I><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Let&#8217;s see if the Biblical flogmeister can make a movie out of &#8220;Psalm 2004,&#8221; now playing the email circuit: Bush is my shepherd,I shall be in want.He leadeth me beside the still factories,He maketh me to lie down on park benches,He restoreth my doubts about the Republican party,He guideth me onto the paths of unemployment [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-592","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=592"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/592\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}