{"id":59080,"date":"2024-01-27T13:22:17","date_gmt":"2024-01-27T18:22:17","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=59080"},"modified":"2024-01-28T10:49:36","modified_gmt":"2024-01-28T15:49:36","slug":"this-tale-of-tangier-ghosts-hits-the-strike-zone","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/01\/this-tale-of-tangier-ghosts-hits-the-strike-zone.html","title":{"rendered":"In His Strike Zone: A Tale of Tangier Ghosts"},"content":{"rendered":"
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Purchase here.<\/em><\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

At last a first-class appreciation of the recently published ULTRAZONE<\/a><\/em>, which had me doing cartwheels when I first read the novel<\/a> in proof copy. Naturally, I wondered how it would be received elsewhere. Now I know. Alan Moore’s review catches the book in his strike zone. Both informed and informative, it makes a witty match for a remarkable tale of Tangier ghosts. The review appears in the most recent issue of the British literary journal Beat Scene<\/a>. Here tiz: <\/p>\n\n\n

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At last a first-class appreciation of the recently published ULTRAZONE. When I first read the novel in proof copy, it had me doing cartwheels . Naturally, I wondered how it would be received elsewhere. Now I know. <\/p>\n","protected":false},"author":3,"featured_media":50991,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,23,17],"tags":[],"class_list":{"0":"post-59080","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/04\/ULTRAZONE-240.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fmU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=59080"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59080\/revisions"}],"predecessor-version":[{"id":59109,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/59080\/revisions\/59109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/50991"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=59080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=59080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=59080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}