{"id":58950,"date":"2024-01-05T12:50:48","date_gmt":"2024-01-05T17:50:48","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=58950"},"modified":"2024-01-05T13:22:35","modified_gmt":"2024-01-05T18:22:35","slug":"pissarro-and-cezanne-seared-into-my-brain","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2024\/01\/pissarro-and-cezanne-seared-into-my-brain.html","title":{"rendered":"Pissarro and C\u00e9zanne Seared into My Brain"},"content":{"rendered":"\n<p>Before it disappears too far into the distance, let me just say how much I enjoyed Adam Gopnik&#8217;s recent take in The New Yorker on the relationship between Pissarro and C\u00e9zanne:  <a href=\"https:\/\/www.newyorker.com\/magazine\/2024\/01\/01\/camille-pissarro-the-audacity-of-impressionism-anka-muhlstein-book-review\">How Camille Pissarro Went from Mediocrity to Magnificence<\/a>. Not least, it gives me the chance to post this etching of the two of them which was made in the early 1980s by Gerard Bellaart, who has for many years seared into my brain his love of both painters.  <\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"623\" data-attachment-id=\"58949\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/cezanne-pisarro-etching-480bdr\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr.jpeg\" data-orig-size=\"480,623\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.3&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DMC-TZ10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1363669975&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.1&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.033333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"cezanne &amp;#038; pisarro etching (480)(bdr)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr-231x300.jpeg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr.jpeg\" alt=\"\" class=\"wp-image-58949\" title=\"CLICK TO SEE IT LARGER. THEN CLICK AGAIN TO SEE IT EVEN LARGER THAN THAT.\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr.jpeg 480w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-480bdr-231x300.jpeg 231w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>C\u00e9zanne shows his drawing to Pissarro.<\/strong>  <br>Etching \u00a9 by Gerard Bellaart (circa. early 1980s) <\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Before it disappears too far into the distance, let me just say how much I enjoyed Adam Gopnik&#8217;s recent take in The New Yorker on the relationship between Pissarro and C\u00e9zanne: &#8220;How Camille Pissarro Went from Mediocrity to Magnificence.&#8221; Not least, it gives me the chance to post an etching of the two of them made in the early 1980s by Gerard Bellaart, who has for many years seared into my brain his love of both painters.  <\/p>\n","protected":false},"author":3,"featured_media":58948,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-58950","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2024\/01\/cezanne-pisarro-etching-560bdr-.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-fkO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=58950"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58950\/revisions"}],"predecessor-version":[{"id":58973,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58950\/revisions\/58973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/58948"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=58950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=58950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=58950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}