{"id":58639,"date":"2023-10-29T12:40:32","date_gmt":"2023-10-29T16:40:32","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=58639"},"modified":"2023-10-29T12:43:20","modified_gmt":"2023-10-29T16:43:20","slug":"a-true-poets-great-balls-of-doubt","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/10\/a-true-poets-great-balls-of-doubt.html","title":{"rendered":"A True Poet&#8217;s &#8216;Great Balls of Doubt&#8217;"},"content":{"rendered":"\n<p class=\"has-text-align-left\"><strong><a href=\"https:\/\/www.versechorus.com\/great-balls-of-doubt\" data-type=\"link\" data-id=\"https:\/\/www.versechorus.com\/great-balls-of-doubt\"><em>Mark Terrill is &#8220;the true poet . . . of the world he sees as essentially forlorn, if not absurd, if not entirely hopeless. But his poetry is far from hopeless.\u201d <\/em>\u2014 Lawrence Ferlinghetti<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bDNH9zkyKNg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=3&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The world Mark Terrill sees is &#8220;essentially forlorn, if not absurd, if not entirely hopeless. But his poetry is far from hopeless.\u201d \u2014 Lawrence Ferlinghetti<\/p>\n","protected":false},"author":3,"featured_media":58647,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,20,22,23],"tags":[],"class_list":{"0":"post-58639","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-media","12":"category-music","13":"category-news","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/10\/great-balls-of-doubt.-365.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ffN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=58639"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58639\/revisions"}],"predecessor-version":[{"id":58656,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58639\/revisions\/58656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/58647"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=58639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=58639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=58639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}