{"id":585,"date":"2004-03-17T06:07:02","date_gmt":"2004-03-17T14:07:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/03\/golly_gee_who_me\/"},"modified":"2004-03-17T06:07:02","modified_gmt":"2004-03-17T14:07:02","slug":"golly_gee_who_me","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/03\/golly_gee_who_me.html","title":{"rendered":"GOLLY GEE, WHO ME?"},"content":{"rendered":"<p><P>Yes, Virginia, Saddam Hussein posed an &#8220;immediate threat&#8221; to the United States. That&#8217;s why<br \/>\nwe had to invade Iraq. That&#8217;s what our Maximum Leader and his minions told us in the runup to<br \/>\nthe Iraq war. Now, however, they deny they ever said it. Really. You were dreaming if you<br \/>\nthought you heard them say it. Secretary of Defense Donald Rumsfeld repeated his disavowal last<br \/>\nSunday: By golly gee, Rummy said, he never said there was an &#8220;immediate threat.&#8221; Watch Rummy<br \/>\nmake that claim in this <A\nhref=\"http:\/\/www.moveon.org\/censure\/caughtonvideo\/\"><B><EM><FONT\ncolor=#003399>video clip<\/FONT><\/EM><\/B><\/A>, courtesy of MoveOn.org, the liberal<br \/>\nadvocacy group, and see him get caught in&nbsp;his bald-faced con.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yes, Virginia, Saddam Hussein posed an &#8220;immediate threat&#8221; to the United States. That&#8217;s why we had to invade Iraq. That&#8217;s what our Maximum Leader and his minions told us in the runup to the Iraq war. Now, however, they deny they ever said it. Really. You were dreaming if you thought you heard them say [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-585","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-9r","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=585"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/585\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}