{"id":58064,"date":"2023-08-29T12:36:09","date_gmt":"2023-08-29T16:36:09","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=58064"},"modified":"2023-08-29T16:36:13","modified_gmt":"2023-08-29T20:36:13","slug":"anselm-kiefers-large-winter-forest-up-close","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/08\/anselm-kiefers-large-winter-forest-up-close.html","title":{"rendered":"Anselm Kiefer’s Large ‘Winter Forest’ Up Close"},"content":{"rendered":"\n

A mere detail from the central panel of the painting is overwhelming.<\/p>\n\n\n

\n
\"\"<\/a>
“Winterwald (Winter Forest)”
Oil, emulsion, acrylic, ash, thorn bushes, synthetic teeth, and snakeskin on canvas in glass and steel frames (130-1\/2 x 227 x 14 inches)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n

\n
\"The<\/a>
“Winter Forest” is on view at MASS Moca, which is notable for among other things its vast exhibition spaces. Unfortunately, the Hall Art Foundation building, which is devoted exclusively to Kiefer’s work and where the diorama\/painting is mounted, lacks sufficient space to see it head-on from a distance. (Photos: jh)<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

A mere detail from the central panel of the painting is overwhelming.<\/p>\n","protected":false},"author":3,"featured_media":58063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-58064","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/08\/small-detail-of-WINTER-FORESTjpg-750.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-f6w","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=58064"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58064\/revisions"}],"predecessor-version":[{"id":58207,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/58064\/revisions\/58207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/58063"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=58064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=58064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=58064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}