{"id":56931,"date":"2023-05-12T16:16:37","date_gmt":"2023-05-12T20:16:37","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=56931"},"modified":"2023-05-16T19:14:27","modified_gmt":"2023-05-16T23:14:27","slug":"mary-beach-a-pair-of-dry-transfer-letraset-pieces","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/05\/mary-beach-a-pair-of-dry-transfer-letraset-pieces.html","title":{"rendered":"Mary Beach: A Pair of Dry Transfer Letraset Pieces"},"content":{"rendered":"\n<h4 class=\"wp-block-heading has-text-align-left\">&#8216;vuv&#8217; was published in the little magazine <em><a href=\"https:\/\/fromasecretlocation.com\/san-francisco-earthquake\/\">Earthquake<\/a><\/em> in 1967. The untitled piece <br>was never published. James Horton discovered it in the <em><a href=\"https:\/\/norman.hrc.utexas.edu\/fasearch\/findingAid.cfm?eadid=00334\">Klactoveedsedsteen archive<\/a><\/em> at the Harry Ransom Center, University of Texas at Austin. Klactoveedsedsteen was Carl Weissner&#8217;s little magazine, produced from 1965 to 1969. <\/h4>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"56949\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/beach-vuv-thumb200-bdr-enh\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh.jpg\" data-orig-size=\"200,385\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon PowerShot SD750&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1274487051&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.8&quot;,&quot;iso&quot;:&quot;80&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"beach-VUV-thumb200 (bdr) enh\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh.jpg\" alt=\"\" class=\"wp-image-56949\" width=\"280\" height=\"539\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh.jpg 200w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/beach-VUV-thumb200-bdr-enh-156x300.jpg 156w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>&#8216;vuv&#8217;<\/em> <em>\u00a9 1967 by Mary Beach  <br>untitled \u00a9 1967 by Mary Beach<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-full is-resized is-style-default\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"56935\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/mary-beach-letraset-br560\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg\" data-orig-size=\"560,765\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"mary beach letraset (br)(560)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg\" alt=\"\" class=\"wp-image-56935\" width=\"400\" height=\"546\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg 560w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560-220x300.jpg 220w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;vuv&#8217; was published in the little magazine Earthquake in 1967. The untitled piece was never published. James Horton discovered it in Carl Weissner\u2019s Klactoveedsedsteen archive at the Harry Ransom Center, University of Texas at Austin.<\/p>\n","protected":false},"author":3,"featured_media":56935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-56931","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/05\/mary-beach-letraset-br560.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-eOf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=56931"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56931\/revisions"}],"predecessor-version":[{"id":57010,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56931\/revisions\/57010"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/56935"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=56931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=56931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=56931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}