{"id":5624,"date":"2013-03-15T11:25:50","date_gmt":"2013-03-15T15:25:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=5624"},"modified":"2013-03-17T12:01:00","modified_gmt":"2013-03-17T16:01:00","slug":"now-for-something-from-the-lookalikes-department","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/03\/now-for-something-from-the-lookalikes-department.html","title":{"rendered":"Now for Something from the Lookalikes Department"},"content":{"rendered":"

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‘Study of Majesty’ by Ben Schot (Click to enlarge.<\/a>)<\/p><\/div>Ben Schot’s drawing, “Study of Majesty” — executed on the stationary of LES FREGATES Hotel **NN Restaurant, which the Dutch artist uses as a “conceptual constant” for all his drawings — was not separated at birth from Picasso’s “She-Goat.” But they look a helluva lot like fraternal twins. I’d say they make a lecherous brother and sister.

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‘She-Goat’ by Pablo Picasso<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Ben Schot’s drawing, “Study of Majesty” — executed on the stationary of LES FREGATES Hotel **NN Restaurant, which the Dutch artist uses as a “conceptual constant” for all his drawings — was not separated at birth from Picasso’s “She-Goat.” But they look a helluva lot like fraternal twins. I’d say they make a lecherous brother […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":{"0":"post-5624","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"entry","8":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1sI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/5624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=5624"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/5624\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=5624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=5624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=5624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}