{"id":56006,"date":"2023-03-16T11:26:59","date_gmt":"2023-03-16T15:26:59","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=56006"},"modified":"2023-03-16T17:23:14","modified_gmt":"2023-03-16T21:23:14","slug":"the-eloquence-of-erich-maria-remarques-last-novel","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/03\/the-eloquence-of-erich-maria-remarques-last-novel.html","title":{"rendered":"The Eloquence of Erich Maria Remarque&#8217;s Last Novel"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><em>After reading the prologue, tell me you&#8217;re not drawn into this refugee&#8217;s tale. <\/em><\/h4>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"56008\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/shadows-in-paradise-365\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg\" data-orig-size=\"365,544\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 12&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1677349047&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.2&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"SHADOWS IN PARADISE 365\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg\" alt=\"\" class=\"wp-image-56008\" width=\"307\" height=\"458\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg 365w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365-201x300.jpeg 201w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Dust jacket of the first edition. <\/em><br><font color=\"#135e96\"><a href=\"https:\/\/www.amazon.com\/Shadows-Paradise-Erich-Maria-Remarque-ebook\/dp\/B00F1W0S0E\/ref=tmm_kin_swatch_0?_encoding=UTF8&amp;qid=1678978979&amp;sr=1-1\"><em>P<\/em><\/a><span style=\"caret-color: rgb(19, 94, 150);\"><em><i><a href=\"https:\/\/www.amazon.com\/Shadows-Paradise-Erich-Maria-Remarque-ebook\/dp\/B00F1W0S0E\/ref=tmm_kin_swatch_0?_encoding=UTF8&amp;qid=1678978979&amp;sr=1-1\">aperback<\/a><\/i><\/em><\/span><\/font><i><a href=\"https:\/\/www.amazon.com\/Shadows-Paradise-Erich-Maria-Remarque-ebook\/dp\/B00F1W0S0E\/ref=tmm_kin_swatch_0?_encoding=UTF8&amp;qid=1678978979&amp;sr=1-1\"><em> &amp; eBook editions are available. <\/em><\/a><\/i><\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>PROLOGUE<\/strong><\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>I lived in New York during the last phase of the Second World War. Despite my deficient English the midtown section of New York became for me the closest thing to a home I had experienced in many years.<\/strong><\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Behind me lay a long and perilous road, the Via Dolorosa of all those who had fled from the Hitler regime. It led from Germany to Holland, Belgium, northern France, and Paris. From Paris some proceeded to Lyons and the Mediterranean, others to Bordeaux, the Pyrenees, and across Spain to Portugal to Lisbon. <\/strong><\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Even after leaving Germany we were not safe. Only a very few of us had valid passports or visas. When the police caught us, we were thrown into jail and deported. Without papers we could not work legally or stay in one place for long. We were perpetually on the move. <\/strong><\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>In every town we stopped at the post office, hoping to find letters from friends and relatives. On the roads we scrutinized every wall for messages from those who had passed through before us: addresses, warnings, words of advice. The walls were our newspapers and bulletin boards. This was our life in a period of universal indifference, soon to be followed by the inhuman war years, when the Milice [French militia], often seconded by the police, joined forces with the Gestapo against us.&#8221;<\/strong><\/p>\n<\/blockquote>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>After reading the prologue, tell me you&#8217;re not drawn into this refugee&#8217;s tale: <\/p>\n<p>&#8220;Behind me lay a long and perilous road, the Via Dolorosa of all those who had fled from the Hitler regime. &#8230; Even after leaving Germany we were not safe. Only a very few of us had valid passports or visas. When the police caught us, we were thrown into jail and deported. Without papers we could not work legally or stay in one place for long. We were perpetually on the move.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":56008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[26,18,4,23,17],"tags":[],"class_list":{"0":"post-56006","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/03\/SHADOWS-IN-PARADISE-365.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ezk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=56006"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56006\/revisions"}],"predecessor-version":[{"id":56053,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/56006\/revisions\/56053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/56008"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=56006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=56006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=56006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}