{"id":55471,"date":"2023-02-08T11:46:02","date_gmt":"2023-02-08T16:46:02","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=55471"},"modified":"2023-02-08T14:00:48","modified_gmt":"2023-02-08T19:00:48","slug":"and-now-for-a-lively-change-of-pace","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/02\/and-now-for-a-lively-change-of-pace.html","title":{"rendered":"And Now . . . for a Lively Change of Pace"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><em> Nine years ago <a href=\"http:\/\/www.osborne-conant.org\">William Osborne<\/a> posted this trailer for <a href=\"http:\/\/www.osborne-conant.org\/cybeline-info.htm\">Cybeline<\/a>, a multimedia music theater work <br>performed by Abbie Conant with music by Osborne. The staff finds it remarkable at how fresh it remains.  <\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ahCGXjjWKPs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><em><a href=\"http:\/\/www.osborne-conant.org\/cybeline-info.htm#slides\">The cartoon artwork in the video is by Abbie Conant. See the slide show.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nine years ago William Osborne posted this trailer for Cybeline, a multimedia music theater work performed by Abbie Conant with music by Osborne. The staff finds it remarkable at how fresh it remains.<\/p>\n","protected":false},"author":3,"featured_media":55499,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,4,20,22,23,17],"tags":[],"class_list":{"0":"post-55471","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-main","9":"category-media","10":"category-music","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/02\/cybeline-TRAILER-image-750-enh.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-eqH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/55471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=55471"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/55471\/revisions"}],"predecessor-version":[{"id":55520,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/55471\/revisions\/55520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/55499"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=55471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=55471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=55471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}