{"id":550,"date":"2004-03-02T10:41:25","date_gmt":"2004-03-02T18:41:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/03\/deadline_hollywood\/"},"modified":"2004-03-02T10:41:25","modified_gmt":"2004-03-02T18:41:25","slug":"deadline_hollywood","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/03\/deadline_hollywood.html","title":{"rendered":"DEADLINE HOLLYWOOD"},"content":{"rendered":"<p><P>Speaking of the Times &#8230; it ain&#8217;t easy <A\nhref=\"http:\/\/www.nytimes.com\/2004\/03\/01\/movies\/oscars\/01OSCA.html\"><STRONG><EM><F\nONT color=#003399>reporting the Oscar show<\/FONT><\/EM><\/STRONG><\/A>, as Sharon<br \/>\nWaxman proved with her deadline coverage. She got Peter Jackson&#8217;s nationality wrong, calling<br \/>\nhim an Australian&nbsp;&#8212; all those New Zealand jokes notwithstanding. She got the number of<br \/>\nSean Penn&#8217;s Oscar nominations wrong. It&#8217;s four, not three. Trivial errors to be sure. But how<br \/>\nabout this? Despite reporting many times on Hollywood&#8217;s most notorious mogul, Miramax<br \/>\nco-chairman Bob Weinstein, she apparently doesn&#8217;t&nbsp;know&nbsp;what he looks like.<br \/>\nWeinstein was not the guy that Renee Zellweger kissed after winning her Oscar, as Waxman&#8217;s<br \/>\nstory&nbsp;claimed. See the <A\nhref=\"http:\/\/www.nytimes.com\/2004\/03\/01\/movies\/oscars\/01OSCA.html?pagewanted=2\"><STR\nONG><EM><FONT color=#003399>correction<\/FONT><\/EM><\/STRONG><\/A> (scroll<br \/>\ndown). <\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Speaking of the Times &#8230; it ain&#8217;t easy reporting the Oscar show, as Sharon Waxman proved with her deadline coverage. She got Peter Jackson&#8217;s nationality wrong, calling him an Australian&nbsp;&#8212; all those New Zealand jokes notwithstanding. She got the number of Sean Penn&#8217;s Oscar nominations wrong. It&#8217;s four, not three. Trivial errors to be sure. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-550","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=550"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/550\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}