{"id":54900,"date":"2023-01-18T19:24:48","date_gmt":"2023-01-19T00:24:48","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=54900"},"modified":"2023-01-20T12:26:27","modified_gmt":"2023-01-20T17:26:27","slug":"editions-beringuer-newly-released-bellaart-drawings-connect-the-centuries","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2023\/01\/editions-beringuer-newly-released-bellaart-drawings-connect-the-centuries.html","title":{"rendered":"\u00c9ditions B\u00e9ringuer<\/em><\/font>
Newly Released Bellaart Drawings Connect the Centuries"},"content":{"rendered":"\n

A graphic narrative with a vocabulary of influences from the sixteenth century to the twenty-first<\/em>.<\/p>\n\n\n

\n
\"\"<\/a>
ghost of a flea<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

(Click the images or the captions to enlarge.)<\/p>\n\n\n

\n
\"\"<\/a>
from left:
impaled (head beneath its foot)<\/a><\/em> & last things<\/a><\/em><\/strong><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"<\/a>
from left:
saturnelle<\/a><\/em> & dissemblage figure<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

\"\"<\/a>
from left: spectres <\/em>and sarcofagi<\/em><\/a><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n

\n
\"\"<\/a>
from left: Schopenhauer’s 4 walls of ennui #2 & #1<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"<\/a>
from left: t\u00eate farouche and la main coup\u00e9e<\/em><\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

\"\"<\/a>
from left: dr peter pangloss<\/em> <\/a>& pantgagruel<\/em><\/a><\/figcaption><\/figure>\n\n\n\n

The chapbook consists of 56 unnumbered pages in total.<\/p>\n","protected":false},"excerpt":{"rendered":"

A graphic narrative with a vocabulary of influences from the sixteenth century to the twenty-first.<\/p>\n","protected":false},"author":3,"featured_media":54984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-54900","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2023\/01\/GB-for-front.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-ehu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/54900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=54900"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/54900\/revisions"}],"predecessor-version":[{"id":55060,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/54900\/revisions\/55060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/54984"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=54900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=54900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=54900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}