{"id":5463,"date":"2013-03-06T10:18:06","date_gmt":"2013-03-06T15:18:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/?p=5463"},"modified":"2013-03-06T18:59:43","modified_gmt":"2013-03-06T23:59:43","slug":"artaud-fragmentations","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2013\/03\/artaud-fragmentations.html","title":{"rendered":"
‘Artaud Fragmentations’<\/center>"},"content":{"rendered":"

And now for another kind of poem, as unlike “Death Is a Wind That Will Carry You Off”<\/a> as day from night. It’s part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart.<\/p>\n

<\/a>


Gerard Bellaart’s ‘Artaud Fragmentations’ [2006]<\/p><\/div>\n

At the urging of my staff of thousands, examples from Bellaart’s word-based series of artworks have been a continuing feature of recent S\/U blogposts. The others so far have been “tric trac du ciel,”<\/a> “Throws Up Words,”<\/a> and “ROT NOT.”<\/a> There will be more to come.<\/p>\n","protected":false},"excerpt":{"rendered":"

And now for another kind of poem, as unlike “Death Is a Wind That Will Carry You Off” as day from night. It’s part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart. At the urging of my staff of thousands, examples from Bellaart’s word-based series of artworks have […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18],"tags":[],"class_list":{"0":"post-5463","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-literature","8":"entry","9":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-1q7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/5463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=5463"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/5463\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=5463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=5463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=5463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}