{"id":537,"date":"2004-02-10T08:11:00","date_gmt":"2004-02-10T16:11:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/02\/the_boilerplate\/"},"modified":"2004-02-10T08:11:00","modified_gmt":"2004-02-10T16:11:00","slug":"the_boilerplate","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/02\/the_boilerplate.html","title":{"rendered":"THE BOILERPLATE"},"content":{"rendered":"<p><P>Continuing our theme about irresponsible news media, here&#8217;s Paul Krugman on <A\nhref=\"http:\/\/www.wnyc.org\/onthemedia\/transcripts\/transcripts_020604_blog.html\"><B><EM><F\nONT color=#003399>recent reporting<\/FONT><\/EM><\/B><\/A> of the Maximum Leader&#8217;s<br \/>\nbudget proposal: &#8220;You don&#8217;t want the news section to read like a partisan attack, but in the very<br \/>\nfirst few paragraphs, you should say something like this is a budget that raised eyebrows around<br \/>\nWashington, or something like that, because it&#8217;s true. That&#8217;s the real story &#8212; not the boilerplate<br \/>\nthat came with the official presentation.&#8221;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing our theme about irresponsible news media, here&#8217;s Paul Krugman on recent reporting of the Maximum Leader&#8217;s budget proposal: &#8220;You don&#8217;t want the news section to read like a partisan attack, but in the very first few paragraphs, you should say something like this is a budget that raised eyebrows around Washington, or something like [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-537","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8F","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/537\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}