{"id":53496,"date":"2022-10-27T07:26:35","date_gmt":"2022-10-27T11:26:35","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=53496"},"modified":"2022-12-10T22:49:52","modified_gmt":"2022-12-11T03:49:52","slug":"wintry-winds-inter-these-refugees","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/10\/wintry-winds-inter-these-refugees.html","title":{"rendered":"<strong>\u2018wintry winds \/ inter these refugees\u2019<\/strong>"},"content":{"rendered":"\n<p class=\"has-text-align-left\"><a href=\"https:\/\/www.washingtonpost.com\/world\/2022\/10\/26\/ukrainian-refugees-eu-temporary-protection\/\"><em>As Ukrainians lined up outside the Prague employment office one morning, <br>relief and frustration were only meters apart.<\/em><\/a><\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"659\" data-attachment-id=\"53550\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/bellaart-painting-enh-480\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480.jpg\" data-orig-size=\"480,659\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 12&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1665920105&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.2&quot;,&quot;iso&quot;:&quot;160&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BELLAART PAINTING (enh) (480)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480-219x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480.jpg\" alt=\"\" class=\"wp-image-53550\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480.jpg 480w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/BELLAART-PAINTING-enh-480-219x300.jpg 219w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>Painting by Gerard Bellaart<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/SHADOWS-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"53513\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/shadows-3-2\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/SHADOWS-3-1.jpg\" data-orig-size=\"384,1074\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"SHADOWS-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/SHADOWS-3-1-107x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/SHADOWS-3-1-366x1024.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/SHADOWS-3-1-366x1024.jpg\" alt=\"\" class=\"wp-image-53513\" width=\"221\" height=\"614\"\/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>silent armies<br \/>\nstill gather<br \/>\nwithin &#8230;<\/p>\n<p>heart-sick, we await<br \/>\na new year of war<br \/>\nwithout<\/p>\n","protected":false},"author":3,"featured_media":53545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,23,17],"tags":[],"class_list":{"0":"post-53496","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-news","10":"category-political-culture","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/10\/GB-painting-enh-480.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dUQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/53496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=53496"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/53496\/revisions"}],"predecessor-version":[{"id":54147,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/53496\/revisions\/54147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/53545"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=53496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=53496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=53496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}