{"id":527,"date":"2004-01-28T11:21:10","date_gmt":"2004-01-28T19:21:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/01\/master_in_the_streets\/"},"modified":"2004-01-28T11:21:10","modified_gmt":"2004-01-28T19:21:10","slug":"master_in_the_streets","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/01\/master_in_the_streets.html","title":{"rendered":"MASTER IN THE STREETS"},"content":{"rendered":"

Hailed as the latest big deal from the art world<\/FONT><\/EM><\/B><\/A>, John Currin’s first solo
\nshow at a U.S. museum is still at the Whitney in New York. The show’s roughly 40 figurative
\npaintings, many of them satirical, wowed the critics for their cartoonish sensibility,
\ntheir provocative take on female beauty, and their technical brilliance. (Click on the slide
\nshow.)<\/FONT><\/EM><\/B><\/A><\/P>
\n

We liked them, too, though we couldn’t see any of them hanging on our living-room
\nwall. Even if we did, we couldn’t afford them. But if you like figurative art painted in a Baroque
\nRenaissance style, the work of Kurt Wenner<\/FONT><\/EM><\/B><\/A> may be an alternative. Though it lacks
\nsatire and cartoonish provocation, it is no less technically brilliant from the look of it on the Web
\n(the figuration, to say nothing of the trompe l’eoil, is amazing). And, I presume, it’s a helluva lot
\nless expensive.<\/P>
\n

Wenner, who was born in Michigan and raised in California, has a fascinating background<\/FONT><\/EM><\/B><\/A>. He bills himself as “Master
\nStreet Painter.” A friend of mine says: “He is to streets what Michelangelo was to ceilings.” Have
\na look at these: Deposition by Barocci<\/FONT><\/EM><\/B><\/A> (Santa Barbara, Calif.); Muses<\/FONT><\/EM><\/B><\/A>, original composition (Lucerne, Switzerland);
\nCocito<\/FONT><\/EM><\/B><\/A>, original composition (Padadena, Calif.); Holy Family by Bronzino<\/FONT><\/EM><\/B><\/A> (Messina, Italy); Concert of Angels<\/FONT><\/EM><\/B><\/A> (Saarbrucken, Germany); Dies Irae<\/FONT><\/EM><\/B><\/A>, original composition (Mantova, Italy). All
\nof them are “painted” with pastel chalk.<\/P>
\n

If nothing else, Wenner’s religiosity would be a big hit at the White House.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"

Hailed as the latest big deal from the art world, John Currin’s first solo show at a U.S. museum is still at the Whitney in New York. The show’s roughly 40 figurative paintings, many of them satirical, wowed the critics for their cartoonish sensibility, their provocative take on female beauty, and their technical brilliance. (Click on […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8v","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=527"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/527\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}