{"id":52587,"date":"2022-08-31T16:58:52","date_gmt":"2022-08-31T20:58:52","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=52587"},"modified":"2022-08-31T16:58:55","modified_gmt":"2022-08-31T20:58:55","slug":"is-a-poem-ever-finished","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/08\/is-a-poem-ever-finished.html","title":{"rendered":"Is a Poem Ever Finished?"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">It took Matthew Arnold 12 years to finish this one. <\/h4>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"284\" data-attachment-id=\"52615\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/matthew-arnold-240\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg\" data-orig-size=\"240,284\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"matthew arnold (240)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg\" alt=\"\" class=\"wp-image-52615\"\/><\/a><figcaption><em><a href=\"https:\/\/www.poetryfoundation.org\/poets\/matthew-arnold\">Matthew Arnold &nbsp;(1822 &#8211; 1888)<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p><em>&#8220;Early Death and Fame&#8221; was first published in Fraser&#8217;s Magazine, in May 1855, and went through several changes until, in 1867, it found its final form. The changes were small. Were they fussy? I think not.<\/em><\/p>\n\n\n\n<pre class=\"wp-block-verse\"><strong>EARLY DEATH AND FAME<\/strong>   \n\nFor him who must see many years,                                    \nI praise the life which slips away.         \nOut of the light and mutely; which avoids \nFame, and her less fair followers, envy, strife, \nStupid detraction, jealousy, cabal, \nInsincere praises; which descends \nThe quiet mossy track to age. \n\nBut, when immature death\nBeckons too early the guest \nFrom the half-tried banquet of life, \nYoung in the bloom of his days; \nLeaves no leisure to press, \nSlow and surely, the sweets  \nOf a tranquil life in the shade \u2014\nFuller for him be the hours! \nGive him emotion, though pain! \nLet him live, let him feel:<em> I have lived.<\/em> \nHeap up his moments with life! \nTriple his pulses with fame! \n\n\n<em>Words that were changed<strong> in<\/strong> <strong>bold<\/strong>:<\/em>\n___________________________________________________\nFor him who must <strong>live<\/strong> many years,         <em>  (first line) <\/em>\n<strong>That life is best<\/strong> which slips away.    <em>(second line)<\/em>   \nThe <strong>mossy quiet<\/strong> track to age.           <em>(seventh line) <\/em>\nSlow and surely, the <strong>sweet <\/strong>             <em>(thirteenth line)<\/em>  <\/pre>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It took Matthew Arnold 12 years to finish &#8220;Early Death and Fame,&#8221; which was first published in Fraser&#8217;s Magazine, in May 1855, and went through several changes until, in 1867, it found its final form. The changes were small. Were they fussy? I think not.<\/p>\n","protected":false},"author":3,"featured_media":52615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,23],"tags":[],"class_list":{"0":"post-52587","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature","8":"category-main","9":"category-news","10":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/08\/matthew-arnold-240.jpeg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dGb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=52587"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52587\/revisions"}],"predecessor-version":[{"id":52624,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52587\/revisions\/52624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/52615"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=52587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=52587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=52587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}