{"id":524,"date":"2004-01-22T10:33:47","date_gmt":"2004-01-22T18:33:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/01\/have_we_been_here_before\/"},"modified":"2004-01-22T10:33:47","modified_gmt":"2004-01-22T18:33:47","slug":"have_we_been_here_before","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/01\/have_we_been_here_before.html","title":{"rendered":"HAVE WE BEEN HERE BEFORE?"},"content":{"rendered":"<p><P><A\nhref=\"http:\/\/www.cnn.com\/2004\/EDUCATION\/01\/21\/students.website.ap\/index.html\"><B><EM\n><FONT color=#003399>We&#8217;re good little Nazis now:<\/FONT><\/EM><\/B><\/A> &#8220;Republican<br \/>\nstudents at the University of Colorado launched a Web site to gather complaints about left-leaning<br \/>\nfaculty members, saying they want to document discrimination against conservative students and<br \/>\nindoctrination to the liberal viewpoint.&#8221; This is scary stuff. <\/P><br \/>\n<P>It reminds me of the atmosphere of <A\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0140231706\/qid=1074784227\/sr=1-1\/ref=\nsr_1_1\/104-3344212-0703160?v=glance&#038;s=books\"><B><EM><FONT color=#003399>&#8220;Berlin<br \/>\nNoir,&#8221;<\/FONT><\/EM><\/B><\/A> Philip Kerr&#8217;s trilogy of detective novels, which take place<br \/>\nduring the Third Reich just before World War II. They&#8217;ve been my great reading pleasure these<br \/>\ndays. <\/P><br \/>\n<P>The central character is Bernhard Gunther (Bernie to his friends), a former detective who quit<br \/>\nthe force before he &#8220;got weeded out&#8221; by&nbsp;the Nazi party. Now he&#8217;s a private eye. What is<br \/>\nparticularly good about &#8220;Berlin Noir&#8221; is that it gives an authentic picture of life under Hitler and<br \/>\nhis minions. It&#8217;s full of small details rarely found in history books except as abstractions. And it<br \/>\nexplodes the widespread myth of German efficiency and brilliance, replacing it with the reality of<br \/>\ncorruption and stupidity.<\/P><br \/>\n<P>Here&#8217;s a taste of &#8220;March Violets,&#8221; the first in the trilogy: <\/P><br \/>\n<BLOCKQUOTE>&#8220;You&#8217;re Gunther, the detective?&#8221;<br \/>\n<P>&#8220;That&#8217;s right,&#8221; I said, &#8220;and you must be &#8211;&#8221; I pretended to read his business card, &#8220;&#8211; Dr Fritz<br \/>\nSchemm, German lawyer.&#8221; I uttered the word &#8220;German&#8221; with a deliberately sarcastic emphasis.<br \/>\nI&#8217;ve always hated it on business cards and signs because of the implication of racial respectability;<br \/>\nand even more so now that &#8212; at least as far as lawyers are concerned &#8212; it is quite redundant, since<br \/>\nJews are forbidden to practice law anyway. I would no more describe myself as a &#8220;German<br \/>\nPrivate Investigator&#8217; than I would call myself a &#8220;Lutheran Private Investigator&#8221; or an &#8220;Antisocial<br \/>\nPrivate Investigator&#8221; or a &#8220;Widowed Private Investigator,&#8221; even though I am, or was at one time,<br \/>\nall of these things (these days I am not often seen in church). It&#8217;s true that a lot of my clients are<br \/>\nJews. Their business is very profitable (they pay on the nail), and it&#8217;s always the same &#8212; Missing<br \/>\nPersons. The results are pretty much the same too: a body dumped in the Landwehr Canal<br \/>\ncourtesy of the Gestapo or the SA; a lonely suicide in a rowboat on the Wansee; or a name on a<br \/>\npolice list of convicts sent to a KZ, a Concentration Camp. So right away I didn&#8217;t like this lawyer,<br \/>\nthis German lawyer.<\/P><\/BLOCKQUOTE><br \/>\n<P><\/P><br \/>\n<P>Speaking of favorite novels, I was reminded of another by <A\nhref=\"http:\/\/www.opinionjournal.com\/taste\/?id=110004563\"><B><EM><FONT\ncolor=#003399>Tunku Varadarajan<\/FONT><\/EM><\/B><\/A>, who wrote in the Wall Street<br \/>\nJournal the other day: &#8220;It&#8217;s not possible to spend an hour in urban India without ingesting life&#8217;s<br \/>\nunfairness. &#8230; Luck and grueling effort are the main safety nets in places like India, and poor<br \/>\nchildren aren&#8217;t spared the legion of woes that their parents face daily.&#8221; <\/P><br \/>\n<P>I don&#8217;t know about &#8220;ingesting&#8221; it &#8212; how about &#8220;absorbing&#8221; it &#8212; and I don&#8217;t appreciate<br \/>\nVaradarajan&#8217;s smugness in the telling of it, but he makes me relish all the more Clive James&#8217;s <A\nhref=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0330353896\/qid=1074784382\/sr=1-2\/ref=\nsr_1_2\/104-3344212-0703160?v=glance&#038;s=books\"><B><EM><FONT color=#003399>&#8220;The<br \/>\nSilver Castle,&#8221;<\/FONT><\/EM><\/B><\/A> which traces an urchin&#8217;s life from the Bombay slums to<br \/>\nBollywood, and which I highly recommend (a helluva lot more than Salman Rushdie&#8217;s &#8220;Midnight&#8217;s<br \/>\nChildren&#8221;).<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re good little Nazis now: &#8220;Republican students at the University of Colorado launched a Web site to gather complaints about left-leaning faculty members, saying they want to document discrimination against conservative students and indoctrination to the liberal viewpoint.&#8221; This is scary stuff. It reminds me of the atmosphere of &#8220;Berlin Noir,&#8221; Philip Kerr&#8217;s trilogy of [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-524","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-8s","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=524"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/524\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}