{"id":52123,"date":"2022-07-18T07:52:31","date_gmt":"2022-07-18T11:52:31","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=52123"},"modified":"2022-07-18T08:54:29","modified_gmt":"2022-07-18T12:54:29","slug":"a-life-as-yet-unfinished","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/07\/a-life-as-yet-unfinished.html","title":{"rendered":"A Life as Yet Unfinished"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><em>The best of her \u2014impassioned lips and eyes\u2014gathers for the burial.<\/em><\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"526\" data-attachment-id=\"52169\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/best-of-her-recto-verso-2-750\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750.jpg\" data-orig-size=\"750,526\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BEST OF HER (recto-verso)-2 (750)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750-300x210.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750.jpg\" alt=\"\" class=\"wp-image-52169\" title=\"CLICK TO ENLARGE\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750.jpg 750w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2-750-300x210.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption><em>An &#8220;eyes-shut&#8221; drawing (after de Kooning) \u00a9 by Gerard Bellaart.<\/em><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/BEST-OF-HER-recto-verso-2.jpg\"> CLICK TO ENLARGE.<\/a><\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;The leg is dead,&#8221; she says<br \/>\nand drags the left behind,<br \/>\nwhile the best of her \u2014<br \/>\nimpassioned lips and eyes \u2014<br \/>\ngathers for the burial.<\/p>\n","protected":false},"author":3,"featured_media":51895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-52123","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/07\/THE-BEST-OF-HER-CT-recto-bdr.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dyH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=52123"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52123\/revisions"}],"predecessor-version":[{"id":52182,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/52123\/revisions\/52182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/51895"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=52123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=52123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=52123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}