{"id":51583,"date":"2022-06-19T05:55:18","date_gmt":"2022-06-19T09:55:18","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=51583"},"modified":"2022-07-03T22:18:55","modified_gmt":"2022-07-04T02:18:55","slug":"__trashed","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/06\/__trashed.html","title":{"rendered":"A Body of Work:<\/em> ‘He could hear it breathing’"},"content":{"rendered":"\n

The pulse of Cold Turkey Press depends on a publisher*<\/strong><\/font> who maintains that well-made limited editions can be more influential than widely disseminated mainstream publications.\u00a0 But it also depends on the dissident poets and artists like Malcolm Ritchie, the late Heathcote Williams, Mark Terrill, the late Thomas Brasch, Jay Jeff Jones, David Erdos, and others whose work he has chosen to publish. Which brings to mind this recent CT poster of a poem by William ‘Cody’ Maher<\/a><\/strong>:<\/p>\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n

*<\/strong><\/font>Gerard Bellaart, a Dutch painter living in France. He is also a poet:<\/em> <\/p>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The pulse of Cold Turkey Press depends on a publisher* who maintains that well-made limited editions can be more influential than widely disseminated mainstream publications.\u00a0 But it also depends on the dissident poets and artists like Malcolm Ritchie, the late Heathcote Williams, Mark Terrill, the late Thomas Brasch, Jay Jeff Jones, David Erdos, William ‘Cody’ Maher, and others whose work he has chosen to publish.<\/p>\n","protected":false},"author":3,"featured_media":47918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-51583","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2021\/09\/gerard-bellaart-foto-shot-200x200-1.png","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-dpZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/51583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=51583"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/51583\/revisions"}],"predecessor-version":[{"id":51909,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/51583\/revisions\/51909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/47918"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=51583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=51583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=51583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}