{"id":50409,"date":"2022-03-24T11:44:15","date_gmt":"2022-03-24T15:44:15","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=50409"},"modified":"2022-03-24T14:10:46","modified_gmt":"2022-03-24T18:10:46","slug":"slaughterhouse-6","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/03\/slaughterhouse-6.html","title":{"rendered":"<strong>Slaughterhouse 6<\/strong>"},"content":{"rendered":"\n<p>&#8220;Odessa like Dresden one of the most beautiful cities in Europe.&nbsp;It is utterly unbelievable.&#8221; <br> <em>\u2014 &nbsp;Gerard Bellaart&nbsp;<\/em><\/p>\n\n\n\n<pre class=\"wp-block-verse\"><strong>ISOLATED<\/strong>\n\n<strong>The crows scream\nand fly to town in whirring flight:\nsoon it will snow \u2014\nhappy he who now still has a home! . . .\n\nThe world \u2014 a gate\nto a thousand wastelands dumb and cold!\nWhoever has lost\nwhat you have lost, rests nowhere . . .<\/strong>\n\n<strong><em>\u2014  Friedrich Nietzsche<\/em><\/strong>\n<\/pre>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"50406\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/recto-nietzsche-ecce-homo-bdr-640\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg\" data-orig-size=\"640,909\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"recto nietzsche ecce homo (bdr) (640)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640-211x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg\" alt=\"\" class=\"wp-image-50406\" width=\"447\" height=\"635\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg 640w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640-211x300.jpg 211w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"50414\" data-permalink=\"https:\/\/www.artsjournal.com\/herman\/nietzsche-poem-crpd-488\" data-orig-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488.jpg\" data-orig-size=\"488,1190\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"nietzsche poem crpd (488)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488-123x300.jpg\" data-large-file=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488-420x1024.jpg\" src=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488-420x1024.jpg\" alt=\"\" class=\"wp-image-50414\" width=\"371\" height=\"904\" srcset=\"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488-420x1024.jpg 420w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488-123x300.jpg 123w, https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/nietzsche-poem-crpd-488.jpg 488w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><\/a><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;The crows scream<br \/>\nand fly to town in whirring flight:<br \/>\nsoon it will snow \u2014<br \/>\nhappy he who now still has a home!&#8217; &#8230;<br \/>\nThe world \u2014 a gate<br \/>\nto a thousand wastelands dumb and cold!<br \/>\nWhoever has lost<br \/>\nwhat you have lost, rests nowhere. &#8230; \u2014 Friedrich Nietzsche<\/p>\n","protected":false},"author":3,"featured_media":50406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,26,18,4,23,17],"tags":[],"class_list":{"0":"post-50409","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-books","9":"category-literature","10":"category-main","11":"category-news","12":"category-political-culture","13":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/03\/recto-nietzsche-ecce-homo-bdr-640.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-d73","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/50409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=50409"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/50409\/revisions"}],"predecessor-version":[{"id":50430,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/50409\/revisions\/50430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/50406"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=50409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=50409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=50409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}