{"id":504,"date":"2003-12-17T09:04:12","date_gmt":"2003-12-17T17:04:12","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/12\/speaking_of_saddam\/"},"modified":"2003-12-17T09:04:12","modified_gmt":"2003-12-17T17:04:12","slug":"speaking_of_saddam","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/12\/speaking_of_saddam.html","title":{"rendered":"SPEAKING OF SADDAM"},"content":{"rendered":"<p><P>From a member of the staff: &#8220;Most of us try to have a few bucks in walking-around money.<br \/>\nSaddam had $750,000 in crawling-around money.&#8221; From Ryan McGee&#8217;s <A\nhref=\"http:\/\/www.ryan-mcgee.com\/blog\/archives\/000475.html#000475\"><B><EM><FONT\ncolor=#003399>Wading in the Velvet Sea<\/FONT><\/EM><\/B><\/A>: &#8220;I flipped on the TV, and<br \/>\nthe first thing I see are images of the cubby hole. &#8230; I thought, Wow, all this time they&#8217;ve been<br \/>\nsearching for him in Iraq, and they appear to have found him in a 1-room studio apartment over in<br \/>\nRoxbury.&#8221;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From a member of the staff: &#8220;Most of us try to have a few bucks in walking-around money. Saddam had $750,000 in crawling-around money.&#8221; From Ryan McGee&#8217;s Wading in the Velvet Sea: &#8220;I flipped on the TV, and the first thing I see are images of the cubby hole. &#8230; I thought, Wow, all this [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-88","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=504"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/504\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}