{"id":502,"date":"2003-12-29T10:01:24","date_gmt":"2003-12-29T18:01:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2003\/12\/purple_prose_alert_4\/"},"modified":"2003-12-29T10:01:24","modified_gmt":"2003-12-29T18:01:24","slug":"purple_prose_alert_4","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2003\/12\/purple_prose_alert_4.html","title":{"rendered":"PURPLE PROSE ALERT #4"},"content":{"rendered":"<p><P>Code Purple: We interrupt the holiday to bring you another alert. Some writers use extra<br \/>\nwords, high-flown&nbsp;language or roundabout expressions for comic effect, i.e., &#8220;the car<br \/>\nwindow shattered&#8221; vs. &#8220;the car window distributed itself over the front seat.&#8221; This morning,<br \/>\nhowever, <A\nhref=\"http:\/\/www.nytimes.com\/2003\/12\/29\/opinion\/29SAFI.html\"><B><EM><FONT\ncolor=#003399>William Safire<\/FONT><\/EM><\/B><\/A> writes that his &#8220;mental tintinnabulation<br \/>\nwas exacerbated by the roar of unwelcome laudatory correspondence.&#8221; Come again? Presumably,<br \/>\nhe&#8217;s writing tongue in cheek. But his equally unfunny lede &#8212; &#8220;A psychopolitical challenge voters<br \/>\nwill face in the coming year is how to deal with cognitive dissonance&#8221; &#8212; makes it hard to tell.<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Code Purple: We interrupt the holiday to bring you another alert. Some writers use extra words, high-flown&nbsp;language or roundabout expressions for comic effect, i.e., &#8220;the car window shattered&#8221; vs. &#8220;the car window distributed itself over the front seat.&#8221; This morning, however, William Safire writes that his &#8220;mental tintinnabulation was exacerbated by the roar of unwelcome [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-502","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-86","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=502"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/502\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}