{"id":498,"date":"2004-01-09T08:50:23","date_gmt":"2004-01-09T16:50:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/herman\/wp\/2004\/01\/pun_and_fun\/"},"modified":"2004-01-09T08:50:23","modified_gmt":"2004-01-09T16:50:23","slug":"pun_and_fun","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2004\/01\/pun_and_fun.html","title":{"rendered":"PUN AND FUN"},"content":{"rendered":"<p><P><A\nhref=\"http:\/\/query.nytimes.com\/gst\/abstract.html?res=F10911F73B5A0C728FDDAB0994DB404\n482\"><B><EM><FONT color=#003399>News item:<\/FONT><\/EM> <\/B><\/A>The New York<br \/>\nTimes reported that CBS &#8220;in effect&#8221; paid Michael Jackson $1 million to sit for a &#8220;60 Minutes&#8221;<br \/>\ninterview. The report, based on an anonymous source, was <A\nhref=\"http:\/\/www.chicagotribune.com\/features\/lifestyle\/chi-0401090220jan09,1,4914028.story?co\nll=chi-leisuretempo-hed\"><B><EM><FONT color=#003399>vehemently<br \/>\ndenied<\/FONT><\/EM><\/B><\/A> by the network. Poet-punster Leon Freilich offers this<br \/>\ncommentary:<\/P><br \/>\n<P><I>TIFFANY TRASH?<BR>The Jackson &#8220;interview&#8221;<BR>Has critics singing the<br \/>\nblues,<BR>Wondering if CBS<BR>Is guilty of molesting the news.<\/I><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>News item: The New York Times reported that CBS &#8220;in effect&#8221; paid Michael Jackson $1 million to sit for a &#8220;60 Minutes&#8221; interview. The report, based on an anonymous source, was vehemently denied by the network. Poet-punster Leon Freilich offers this commentary: TIFFANY TRASH?The Jackson &#8220;interview&#8221;Has critics singing the blues,Wondering if CBSIs guilty of molesting [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":{"0":"post-498","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-82","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=498"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/498\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}