{"id":49706,"date":"2022-01-26T11:16:45","date_gmt":"2022-01-26T16:16:45","guid":{"rendered":"https:\/\/www.artsjournal.com\/herman\/?p=49706"},"modified":"2022-01-27T09:20:14","modified_gmt":"2022-01-27T14:20:14","slug":"a-tale-by-mohammed-mrabet-as-told-to-paul-bowles-and-transcribed-by-mark-terrill","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/herman\/2022\/01\/a-tale-by-mohammed-mrabet-as-told-to-paul-bowles-and-transcribed-by-mark-terrill.html","title":{"rendered":"A Tale by Mohammed Mrabet<\/font><\/em>
As Told to Paul Bowles and Transcribed by Mark Terrill"},"content":{"rendered":"\n

Mohammed Mrabet, a young Moroccan painter from Tangier, met the American ex-patriate composer and writer Paul Bowles in 1965. Bowles, who lived in Tangier for decades, taped many of Mrabet’s spontaneous stories and translated them into English, eventually resulting in the publication of more than a dozen books. Mark Terrill, himself an American ex-pat writer and poet, recalls that during a kif-fueled visit with the two of them, in 1985, Mrabet began “improvising some of his crazy tales while Paul simultaneously translated for my benefit, and I quickly jotted this one down.” Terrill bought several of Mrabet’s drawings, including the one that illustrates this newly printed poster from Cold Turkey Press.<\/p>\n\n\n\n

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Mohammed Mrabet, a young Moroccan painter from Tangier, met the American ex-patriate composer and writer Paul Bowles in 1965. Bowles, who lived in Tangier for decades, taped many of Mrabet’s spontaneous stories and translated them into English, eventually resulting in the publication of more than a dozen books. Mark Terrill, himself an American ex-pat writer and poet, recalls that during a kif-fueled visit with the two of them, in 1985, Mrabet began “improvising some of his crazy tales while Paul simultaneously translated for my benefit, and I quickly jotted this one down.” Terrill bought several of Mrabet’s drawings, including the one that illustrates this newly printed poster from Cold Turkey Press.<\/p>\n","protected":false},"author":3,"featured_media":49699,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,18,4,23,17],"tags":[],"class_list":{"0":"post-49706","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"category-literature","9":"category-main","10":"category-news","11":"category-political-culture","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/herman\/wp\/wp-content\/uploads\/2022\/01\/\u00a9-mrabet-365.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbvgEs-cVI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/49706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/comments?post=49706"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/49706\/revisions"}],"predecessor-version":[{"id":49741,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/posts\/49706\/revisions\/49741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media\/49699"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/media?parent=49706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/categories?post=49706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/herman\/wp-json\/wp\/v2\/tags?post=49706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}